CD: You Me At Six - VI

Well-established rockers are new to our dubious reviewer but he's impressed

share this article

Numeral not doodlebug

I come to this band from the perspective of one who’s only seen the words "YOU ME AT SIX" on endless T-shirts passing in the street. I’m no connoisseur, then. From the cultural detritus that’s wended my way during their 10-year career, they just seemed a band who had no “thing”, no breakout song, no look, no cultural space or loudly impressed belief. Just five normal-looking guys who tour a lot, hard-working meat’n’potatoes rockers (who’d bridle at that cliché). As their sixth album hits my ears, though, I can see why those T-shirts sell.

My ignorance is relatively inexcusable, given that You Me At Six have had a series of best-selling Top 5 albums. Originally from Weybridge in leafy Surrey, they’re now in the same league as flashier US rockers such as Fall Out Boy and Thirty Seconds To Mars. Their sixth album states their case from the off, bursting in on a “Smells Like Teen Spirit” one-two drum punch before the appropriately roaring “Fast Forward”, catchy and compelling, albeit with grunge edge somewhat smoothed away.

VI’s flaw – if it is one – is the pop ease of its sound. For instance, “3.00 AM” just grooves along predictably, making all the right fist-pump chords yet not hitting home. Too smooth. But let’s not focus there. This is an album worth celebrating for its best moments. Singer Josh Franceschi’s voice is likeable, avoiding annoying contemporary vocal tics, and You Me At Six are clearly adept at nailing down tight stadium rock songs, notably the urgent lover’s plea “Straight to My Head” and loud-quiet-loud shouty one, “Predictable”.

Even better, variety stops things palling, with a funky side showing itself. The disco-flavoured chart-pop of “Back Again” is yukky, but "Danger" is OK and then there's “I O U”, which is outstanding. "I O U" has a great bass line and jacked, sensual dancefloor aspect, an understanding that heft does not necessarily have to come from amplification and sonic density, something many rockers fail to gauge. It could give old INXS pub-funk classics such as “Need You Tonight” a run for their money. Yes, You Me At Six have enough going on. Next time I see them on a festival programme, I shall follow the stream of T-shirts in their direction.

Below: Listen to the inarguably funk-rockin' "I O U" by You Me At Six
 
Even better, variety stops things palling with a funky side showing itself

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

The former Talking Heads singer mixed old and new alike in a compelling show.
An assured third album from the acclaimed singer songwriter
Significant box-set examination of an important strand of America’s pre-grunge musical landscape
A serial and prolific collaborator finally steps into the spotlight, full of life lessons
The 'Dunboyne Diana' mixed great songs with star power and cheeky humour
After a six-year hiatus, Morrissey's still at odds with the world
London-based goth-rockers seek solace from concerns about where the world is heading
Difford and Tilbrook reanimate songs they wrote as teenagers, with mixed results
Thought-provoking primer in US pop’s varied pre-psychedelic musical landscape
A love letter to the women who changed music forever