Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: N.E.R.D - No_One Ever Really Dies

Pharrell's trio of marauders return firing on all cylinders

share this article

N.E.R.D: They've got it licked

In the seven years since N.E.R.D last had an album out, Pharrell Williams’ profile, which was already massive, has achieved some sort of pop supernova. “Happy”, “Get Lucky” and the less loveable “Blurred Lines” have made him a megastar. He now returns with Chad Hugo, his childhood pal and production partner in one of hip hop’s defining production units, The Neptunes, and their reclusive associate Shay Haley. N.E.R.D’s original remit, when they began a decade-and-a-half ago, was to make their own R&B-marinated version of rock, but their fifth album sees raw electronic funk to the fore

A truckload of special guests adds to the sense of occasion. Rihanna kicks things off with opener and first single “Lemon”, a propulsive electro-percussive banger which sets the tone, but the best collaboration is with Kendrick Lamar and M.I.A. on the album’s most exciting track, “Kites”, an Afro-chanting, whooping, bass-built thing, both stark and busy. Elsewhere Gucci Mane and Wale boost the Outkast-style groove of “Voila”, which has a fantastically bizarre steel band mid-section, while, by contrast, Andre 3000 of Outkast drops in on the robotised hammerings of “Rollinem 7’s”.

Even Ed Sheeran doesn’t disgrace himself, with his cameo on closer “Lifting You” only aiding a likeable digital dancehall bubbler that celebrates nightworld hedonism. However, N.E.R.D don’t need guests to thrill, as they prove on the sampledelic electro-rave pulse of “Secret Life of Tigers” and the Prince-flavoured epic “Don’t Don’t Do It”, as well as much else. Lyrically it’s all a bit opaque. Perhaps, for instance, they are opining obliquely on the state of the US on “1000”. But, equally, perhaps not. It doesn’t matter because No_One Ever Really Dies is primarily a sonic, felt experience.

N.E.R.D have moved on from even hints of organic funkiness, such as “Hot-n-Fun” from their last album, replacing it with crunchy, poppy, clubland experimentalism, deeply indebted to hip hop, placing them beside Gorillaz, with a touch of Gnarls Barkley’s more outré output. It’s no bad place to be and the new album is a feisty, exciting creature, full of wriggle and body-movement.

Overleaf: watch the video for "Lemon" by N.E.R.D featuring Rihanna

Even Ed Sheeran doesn’t disgrace himself

rating

3

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Two decades on from Patti Smith and the original pink sheep, the anniversary edition proved again that Latitude's real headliners are rarely at the top of the bill
From Korean bluegrass to gigantic Ugandan xylophones, the global diversity of musical life is here
A championing, but also perhaps a dilution, of South African innovation
The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album
Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism