Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: Little Mix - DNA

Can a group with its own personality survive an X Factor win?

share this article

DNA: by committee

Well that's a shame. Little Mix were likable, talented winners of The X Factor – four times Everygirl in clashing neon, funky, funny, vulnerable but self aware. They proved repeatedly on the show that they could sing and then some, and even though they were a thrown-together group harmonised like they were sisters. Their most memorable turn, doing En Vogue's “Don't Let Go”, perfectly caught the beginning of the current wave of nostalgia for the great 1990s R&B girl groups, and when they won it felt like they could be an actual characterful pop band in the way the Sugababes and Girls Aloud were and, say, The Saturdays could never quite be.

Their first single proper, after the standard winners' Christmas number one, was/is great too – but rather ominously, “Wings” kicks this album off, as if to shout out that they don't have anything else as attention-grabbing. And they don't. There are some good bits, and some small attempts to keep the rough human edges that made LM so charming as they ascended The X Factor greasy pole, but really it's mostly a hodgepodge of committee design, migraine production and the kind of worthy whineyness we'll never escape post Emeli Sandé.

The 90s R&B references are ladled on – a De La Soul psuedo-cover in "How Ya' Doin", a guest spot from TLC's T Boz on the admittedly crunchy "Red Planet" – but really it's shrill, autotunemungous 2010s mall-pop through and through, with obligatory crashing dubstep flourishes and all the character produced and focus-grouped to within an inch of its life, then focus-grouped some more. A lost opportunity.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
It felt like they could be an actual characterful pop band in the way the Sugababes and Girls Aloud were

rating

2

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album
Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress