CD: Kylie Minogue - Golden

Nashville reinvention for the People's Princess doesn't sit well

share this article

Well executed, but a million miles from her best work

Oh this is annoying. One really doesn't want to be mean about the People's Princess. Kylie is one of the great pop stars of our time: charming, witty, a survivor, with several dozen proper classic songs under her belt, she has never stopped sparking with star quality. And the way she talks about her creative process, it's clear she still cares, so it's very easy to believe that she still has an album in her that can stand with her best and cement her status as one of the best to do it.

This isn't it, though. This is a country album, recorded in Nashville. Not that that's anything bad in itself. A Kylie country album could be a great thing – one could perfectly imagine her going rootsy and acoustic, or doing a slick album of Bobbie Gentry style MOR country-soul, or doing a record of country-disco like her friends The Scissor Sisters' “I Don't Feel Like Dancing”. But this is country-pop in the modern, Taylor Swift style – even including a couple of key Swift collaborators – with lots of “woah woah” chantalong choruses

It's well executed – of course it is, Kylie doesn't do things by halves – and unusually for her, the lyrics have a personal, even confessional feel. But somehow all the intimacy that could have conjured is lost among the bombast, which seems a million miles from the slinkiness of her best work. All of the Millennial affectations just feel like they're beneath her, and though they might well hit commercial paydirt, they make all the songs strangely forgettable. Kylie very likely does have a great album (or albums) still in her, but imitating artists half her age really isn't the way to get to them. 

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
All the intimacy that could have conjured is lost among the bombast

rating

2

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

more new music

With a line-up that includes Exodus and Carcass, a top-notch night of the heaviest metal
Leading Kurdish vocalist takes tradition on an adventure
Scottish jazz rarity resurfaces
A well-crafted sound that plays it a little too safe
Damon Albarn's animated outfit featured dazzling visuals and constant guests
A meaningful reiteration and next step of their sonic journey
While some synth pop queens fade, the Swede seems to burn ever brighter
Raye’s moment has definitely arrived, and this is an inspirational album
Red Hot Chilli Pepper’s solo album is a great success that strays far from the day job
The youthful grandaddies of K-pop are as cyborg-slick as ever