CD: The Bo-Keys - Got to Get Back!

The cream of the Memphis old guard let rip

share this article

Oldies but goodies: The Bo-Keys

When I put together my book Rock Shrines, about places music fans go to pay tribute to their dead heroes, I was particularly struck by the story of Ben Cauley. He was trumpet player in Otis Redding's band, The Bar Kays, and the only person to be pulled alive from the freezing waters of Lake Monona, Wisconsin, after the light aircraft crash that killed Redding and the rest of the band in December 1967.

I wanted to know what happened to him and my research eventually located him at Da Blues Restaurant in Memphis International Airport where Cauley was in-house entertainment. To my mind there was something not quite right about this, the historical thread that carried this dude from Otis and violent tragedy to anonymously parping away while tourists scoffed barbecued ribs.

The Bo-Keys' album is a much more fitting place to find Cauley. For the last decade, since the rise of Amy Winehouse, one of the defining features of 21st-century pop is the phenomenal success of retro soul music. From Joss Stone to Plan B, the public can't get enough of it. The Bo-Keys' album, however, asks: "Why have the imitation when you can have the real thing?" The Bo-Keys are ageing Stax Records session musicians and their Memphis pals, and have backed everyone fron Cyndi Lauper to Mack Rice, as well as appearing prominently in the film Soul Men. The band features Cauley alongside the sole surviving member of the BB King Orchestra, Al Green's drummer, Isaac Hayes's long-standing guitarist (who played on "Shaft") and others of similar vintage.

Featuring vocals from blues player Charlie Musselwhite and gospel singer Otis Clay, Got to Get Back! is a blast, a host of spanking new Northern soul originals. From the funky as hell "Just Chillin'" to the Booker T-ish Hammond organ-fuelled "Jack and Ginger" to the jazz-inflected blues roller "I'm Going Home", the listener is in safe hands. It may not bust any new moves and occasionally drifts into bar-band territory, but this crew, marinated in the history of their home city, mostly muster a sound that's the stuff of Mark Ronson's wet dreams, a slice of history served up fresh and hot.

Watch rough'n'ready live footage of The Bo-Keys

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
It may not bust any new moves, but this crew, marinated in the history of their home city, mostly muster a sound that's the stuff of Mark Ronson's wet dreams

rating

0

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time