CD: Best Coast - The Only Place

California duo keep things simple on their sunny sophomore release

share this article

Best Coast 2.0: not a rehash, but a sequel

Any concerns that Best Coast might have abandoned the sun-kissed California scuzz-pop sound that made their 2010 debut, Crazy For You, such a runaway success are answered in its opening - and title - track. “So leave your coat behind / We’re gonna make it to the beach on time,” Bethany Cosentino sings, and I sigh from a rainy Glasgow attic and keep on waiting for summer.

It’s a little simplistic to call The Only Place a rehash, so perhaps in deference to producer Jon Brion we could call it a sequel. The album is full of the things that have always made Best Coast great - short, simple songs packed with hooks and heartbreak and Sixties girl group harmonies - but without the scuzzy, amateur production that was their debut’s signature. With that gone, everything seems bigger and brighter.

Brion, now as well known for the scores that subtly underpin indie hits like Eternal Sunshine of the Spotless Mind as for production credits with artists as diverse as Kanye West and Fiona Apple, plays to Cosentino’s skills as a great pop songwriter without robbing her work and that of multi-instrumentalist Bobb Bruno of its lo-fi charm. In fact the cleaner sound allows Cosentino’s extraordinary voice to soar in a way it’s never really gotten the chance to before, lending a depth to lyrics that could otherwise run the risk of sounding like they've been adapted from the scrawls in a teenage girl’s diary. 

Lyrically there isn’t a massive thematic shift in Cosentino’s concerns. Although the title track is a love song to the duo’s native California, for most of the rest of the album the central questions are either ones of self-identity or of a slightly melodramatic romantic longing for the sort of boy who only ever leaves the singer crying at the other end of the phone. Although the vocals, on “No One Like You” in particular, sell the second of these themes far more convincingly than is probably deserved, it's the former that proves more fascinating. Songs like “Better Girl” and album standout “How You Want Me to Be” show a songwriter who has ditched the valley girl brattiness and is standing on the cusp of adulthood - perhaps with little idea yet, but confident enough to know that will come in time.

Listen to "The Only Place"


Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
The album is full of the things that have always made Best Coast great - short, simple songs packed with hooks, heartbreak and 60s girl group harmonies

rating

3

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along