sat 27/07/2024

indie

Album: Chris Cohen - Paint a Room

Paint a Room is idiosyncratic, but it is an absolute joy. Accessible too. Permeated with a summery vibe, its 10 songs glisten like the surface of lake catching the setting sun’s rays. There’s a lightness, a buoyancy which instantly fascinates.Chris...

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Glastonbury Festival 2024: A Sunlit Epic of Music, Madness, Chaos and Culture

SUNDAY 30th June 2024It’s late. But not really. Not by the standards of this place. Photographer Finetime and I are in Block9 in the South-East Corner. The so-called “naughty corner”. We take turns juggernauting quomble off a pinecone. Finetime’s...

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Rain Parade, 229 review - the Paisley Underground perennials prove unafraid of their past

It kicks off with “No Easy Way Down.” First released on 1984’s mini-LP Explosions in the Glass Palace, it was an instant benchmark by which to measure Rain Parade. Churning, dense and foggy, it made good on what this California outfit were portrayed...

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Smashing Pumpkins / Weezer, OVO Hydro, Glasgow review - double-bill of unlikely bedfellows makes a racket

The current trend for package tours with two headliners appears to be growing, and this jaunt presented somewhat unlikely bedfellows – the theatrical angst of Billy Corgan’s crew and Rivers Cuomo’s indie trendsetters united by a shared love for...

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theartsdesk on Vinyl 84: Ibibio Sound Machine, Dave Clarke, Eliza Rose, Billy Idol, Bodega, Mui Zyu and more

VINYL OF THE MONTHAriel Sharratt & Matthias Kom Never Work (BB*Island) + Ella Ronen The Girl With No Skin (BB*Island)Two offbeat albums from the uncategorisable Hamburg label BB*Island. They are home to the literary indie outfit The Burning Hell...

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Album: John Grant - The Art of the Lie

“I feel ashamed because I couldn’t become the man that you always hoped I’d become.” The line is repeated during “Father,” The Art of the Lie’s third track. After this, there’s “Mother and Son,” “Daddy” and the allusive “The Child Catcher”. Parent-...

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Album: John Cale - POPtical Illusion

At 81, John Cale, an immensely prolific, wide-ranging and innovative musician, continues to take risks, making music that may not always be instantly appealing, but always true to an artist’s authentic path.  Hot on the heels of Mercy (2023),...

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Album: Marina Allen - Eight Pointed Star

While some tracks on Marina Allen’s third album are country accented and a pedal steel is used a few times, it’s impossible to categorise Eight Pointed Star as Americana. Its sixth track, “Easy”, has the closeted atmosphere of The Velvet Underground...

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The Lovely Eggs, XOYO, Birmingham review - Lancashire duo brings the Bank Holiday to a speedy end

When the Lovely Eggs’ married duo of Holly Ross and David Blackwell took to the stage at the recently rebranded XOYO in Birmingham on Bank Holiday Monday, they looked like they should be playing for two completely separate bands. She was looking...

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Album: Bat For Lashes - The Dream of Delphi

Natasha Khan’s musical career has always explored the artier end of pop. Her latest album, her sixth and first in five years, is more akin to the soundtrack work she did with Swiss composer Dominik Scherrer on BBC spook-thriller Requiem in 2018 than...

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Album: Isobel Campbell - Bow to Love

Isobel Campbell has maintained a consistent career on the fringes of popular music for three decades. She's made a home in the area where indie, folk, rock and BBC 6Music merge. Aside from her 1990s involvement with Belle and Sebastian, she’s best-...

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Album: Samana - Samana

The final track of Samana’s third album is titled “The Preselis,” after the west Welsh mountain range – the place antiquarians suggested as the source of Stonehenge’s blue stones. The song’s opening lyrics are “The blue stones, they grow over me,...

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