Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: Battles - Gloss Drop

Heavy metal calypso techno dub punk pop, anyone?

share this article

'Gloss Drop' by Battles: 'A lot of this record boogies along with a surprising amount of fun'
'Gloss Drop' by Battles: 'A lot of this record boogies along with a surprising amount of fun'
They started as a band of hyper-accomplished musicians aiming to play fiddly electronica in a guitar-band format and thereby creating a rather witty new kind of progressive rock. Now, minus key member Tyondai Braxton but plus a few leftfield star guests, Battles are playing a neat line in chugging heavy metal calypso techno dub punk pop. No, the notion of genre in the 21st century doesn't get any easier, does it? But preposterous definitions aside, a lot of this record boogies along with a surprising amount of fun given its makers' conspicuous virtuosity and the hodge-podge of influences making it up.

Watch the video for "Ice Cream"

Its basic mode is like the new-wave rock of Devo, Gang of Four or Talking Heads amped up, layered up and given the sense of driving groove of the best underground techno. In fact, it's when it's most like techno – ie unashamed to use hypnotic repetition to amplify the appeal of that groove – that it's at its best. When the band show off how many chords they know, it gets a bit overblown. Guest vocals shift the mood of the songs: Gary Numan (yes, the Gary Numan) turns things dark and metallic, Argentine dance producer/vocalist Mathias Aguayo and Kazu Makino of NYC band Blonde Readhead both add a sweet but strange pop twist, and Yamantaka Eye of the infamous Boredoms turns “Sundome” into delirious dancehall-dub psychedelia. I'm not entirely sure yet that it hangs together as an album, but there's enough greatness, enough intriguing oddness, and enough crisply modernist energy to make it very well worth a few return visits.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment

rating

0

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The garage rockers don't do themselves justice on new album
Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae