Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: Asking Alexandria - From Death to Destiny

Screamo, Deathcore... call it what you will - this is the new sound of rock

share this article

'From Death to Destiny': 'alive and kicking the can'

I write as a listener and concerned citizen. It's 2013, the legends of dad rock are facing the death squad: no liquids, no solids, no chance, baby. There's something dead in the water and a new breed is feeding on the remains. Welcome to Deathcore, Screamo, Metalcore, whatever.

Asking Alexandria come from Yorkshire. They're on their third album, on the Sumerian label (got to love the name), and the lynchpins are guitarist Ben Bruce and singer Danny Worsnop. They rock like men on three legs – crunching, stop-start, arhythmic, stuttering guitar riffs that sound as if they sprouted out of the cartilage of Beefheart's Magic Band in a pile-up with 1980s Metal heroes: Metallica, Guns N' Roses, Motley Crue. It's refreshing like an enema.

While touring last year, Worsnop tore his vocal chords, and on any of the 13 (it has to be 13) tracks here, you'll hear why; ripping his throat out is an occupational hazard. It would be good to hear him go larynx-to-larynx with a Tuvan throat singer. The set does include quieter moments - synthesised strings, ballad-style vocals - and Bruce has said the album is "a lot more mature than anything we've done before - it's not so much about partying and fucking random girls and doing drugs and stuff”, but still, it's morbid and fucked up, and the cover art has a naked chick writhing inside a vending machine backstage and a hunched, hoodied figure heading for the front-of-house.

OK, I confess I'm almost 50 and turning mouldy at the crust, and I can't stand the music for long, but I can tell it's good. Asking Alexandria has a big following among teenagers who hate 1D, kiddie rap, and all that shit pop conjured up by middle-aged lags on industrial estate proportions. This is one new sound that's alive and kicking the can. Go figure it out for yourself.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
The crunching, stop-start, arhythmic guitar riffs sound as if they sprouted out of the cartilage of Beefheart's Magic Band in a pile-up with 1980s Metal heroes

rating

3

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album
Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed