Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

Album: Steve Mason - Brothers & Sisters

The ex-Beta Band singer's anti-Brexit album has righteous uplift

share this article

Ruling what waves?

Steve Mason has been impressively blunt about the inspiration behind his fifth solo album. “To me, this record is a massive “Fuck you” to Brexit and a giant “Fuck you” to anyone that is terrified of immigration,” he’s said, “Because there is nothing that immigration has brought to this country that isn’t to be applauded.” Thus, these 12 songs are riven not only with lyrical pith but also sounds borrowed from an international sound palette.

The combination leavens his anger with the spiritual uplift of righteous protest. Mason has always been creatively restless, right from when the Beta Band rejigged guitar-led indie as something less categorisable, more genre-smeared. Brothers & Sisters opens with the Vangelis-ish synths of “Mars Man”, which blossoms into a combination of ominous martial drumming and jubilant, melodic singing, impressionist lyrics about “celestial excitement”. The whole album emanates a similar combination of percussive thrust and uplift, although most of it is funkier.

One of the most anthemic songs is “No More”, featuring Pakistani singer Javed Bashir, which is reprised as the closer, with its catchy polemic chorus, “You tried to take my heaven/You tried to take my name/This is the people speaking/We are not the same.” The album contains a host of other guests, including a bunch of gospel singers who provide regular supportive uplift. With them at his side Mason hits passionate form, he becomes exultant, and it’s hard to resist.

If there’s a criticism, it’s that the production throughout could do with more oomph. This gumbo of sound should come out of the speakers huge yet is, somehow, sonically over-polite. The power, instead, is in the imaginative songwriting and the ideas, especially on cuts such as the Indian-flavoured electro-funk of “Brixton Fish Fry” or the Primal Scream-do-gospel-blues shuffle-stomp of “Upon My Soul” which will have most singing along; “No poets in the trenches/Where’s the real light/It’s all of us against the rest/And I won’t die tonight”. He’s touring soon and that, I suspect, is where this already bright and enraptured album will fully light up.

Below: Watch the video for "No More" by Steve Mason featuring Javed Bashir

The power is in the imaginative songwriting and the ideas

rating

4

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

A thrilling blast of deep rooted culture and devout belief
Two decades on from Patti Smith and the original pink sheep, the anniversary edition proved again that Latitude's real headliners are rarely at the top of the bill
From Korean bluegrass to gigantic Ugandan xylophones, the global diversity of musical life is here
A championing, but also perhaps a dilution, of South African innovation
The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album
Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney