Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

Album: The Loveless - Meet the Loveless

Marc Almond and Neal X lay down some fine Garage Rock

share this article

The Loveless: Garage, glam and proto-punk

Around the time the time that he retired his Ziggy Stardust alter ego, David Bowie put out an album of covers, done in a Glam/Proto-punk style. This included tunes by the Yardbirds, the Kinks and various other Garage Rock bands that were somewhat outside the mainstream at the time.

Fifty years or so later (yes, really), Soft Cell’s Marc Almond and Neal X, most famously of Sigue Sigue Sputnik, have put together a new outfit with Mat Hector and Ben Ellis of Iggy Pop’s touring band and James Beaumont, called The Loveless, and have done the same – albeit with a couple of fine original tunes for good measure. They’ve even covered some of the bands that Bowie acknowledged on Pin Ups.

Anyone who caught their mini-tour in the run up to Christmas, will know that the Loveless are no shoddy pub rock covers band, but have some real bite in their sound, as well as a serious brass section for added punch. This is particularly evident on their own “Wild in the Streets”, Spectrum’s go-go-tastic “I’ll Be Gone”, and their version of Alice Cooper’s “Under My Wheels”.

Elsewhere, there are fine takes on the Kinks’ outsider anthem “I’m Not Like Everybody Else”, Max Frost and the Troopers’ trippy “Shape of Things to Come” and the Thirteenth Floor Elevators’ seminal acid-drenched psychedelic Garage rocker “You’re Gonna Miss Me”. There’s even room for ex-Sex Pistol Glen Matlock’s guest vocals on Bo Diddley’s hip-swinging “Pills”, which gives more than a nod to the New York Dolls’ version with some fierce harmonica soloing.

In short, the Loveless are a fine proposition both live and on this disc. It just has to be hoped that Marc Almond and Neal X can get their heads together to knock out some more original material, because both “Wild in the Streets” and the sharp and snarky “Nothing at All” suggest that could yet be plenty more worthwhile tunes in their back pocket.

The Loveless are no shoddy pub rock covers band, but have some real bite in their sound

rating

4

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The genre-crossing musician brings a New Age sheen to his solo piano tribute
The London trio add toilet bowls and ugly crying to the hedonistic glamour
New York band’s blend of folk rock and psychedelia grabs attention
Northern indie four-piece offer a vim-laden snapshot of disenfranchised Britain
Ladysmith Black Mambazo and Laura Mvula shine
Garage, French House and feeling collide in latest release
A creative, inclusive, endlessly imaginative festival for families
Prolific Aussie psychedelicists marry dance and prog sounds
A soaring fusion of atmospheric melancholy and energetic punk