Album: Kathryn Williams - Night Drives

The folk renaissance woman expands her sonic palette with mixed results

share this article

On the slow train to dawn...

Kathryn Williams’ creativity leaves most singers standing. She’s always up to something and it’s usually interesting. As well as multiple albums over two decades, including one themed around Sylvia Plath and another created with the poet Carol Anne Duffy, last year she had her first novel published, the ominous island-set tale, The Ormering Tides. She’s done loads else too, her work often loosely in the folk form, heavily seasoned with the hurts of loving and living.  Her latest contains much of the latter, but its production is more opulent, electronic and experimental than her usual style.

While very much a Kathryn Williams album, Night Drives was inspired by collaboration, and, alongside Ed Harcourt on production, there are many contributors and co-writers, such as Magic Numbers’ Romeo Stodart, novelist Kirsty Logan and mystic folkie Ida Wenøe. From the queasy electronic bass’n’bagpipes explorations of opener “Human” to the twinkly, glitched and delightful ode to a morning’s waking ritual, “Starry Heavens”, this newfound sonic palette can often be engaging.

What’s at the heart of things, however, is the way Williams’ stunning, plaintive voice combines with her rich, literary way with words, the imagery and ideas she paints in the listener’s mind. The acoustic guitar-led “The Me For You” is a good case in point, asking “What if time could run twice?” and imagining “how we could live another life if we weren’t in this one for good.”

What lets the album down is that its delicacy and craft is sometimes weighed down by a funereal feel, an energy-sapping, mournful sloth. It’s an ongoing feel, often a rhythm section thing, that builds up, song-by-song. For me, it means this is one to cherrypick rather than play through. Ah, but there are such lovely things to cherrypick. To name but two, the string-laden, epic-cosmic, witty, tuneful meditation “Moon Karaoke” and the simple, catchy, strummed “Magnets”. There are more. And they are worth seeking.

Below: Watch the video for "Put the Needle on the Record" by Kathryn Williams

 

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
She has a rich, literary way with words

rating

3

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction