Great idea to use a symphony orchestra as the basis for a TV drama, because all of human life is there. Not to mention death, since this entertaining, though melodramatic, new French import (Channel 4) began with the dramatic collapse on the podium of veteran conductor George Delvaux just as he was launching into the finale of the New World symphony. He was pronounced dead at the scene.
Since Donald Trump's election as US President in 2016, I imagine satirists have slowly lost the will to live – as nothing they can write can outdo his buffoonery. But when Greg Daniels (creator of the American version of The Office) and Steve Carell (its star) announced they were inspired to write Space Force from one of his ideas, it augured well.
This short series of new dramas (on BBC Four) by a group of leading playwrights was commissioned by Headlong and Century Films, a week before the virus lockdown was announced on 23 March, and represents an artistic first response to a situation nobody can fully comprehend.
David Olusoga’s A House Through Time concept (BBC Two) has proved a popular hit, using a specific property as a keyhole through which to observe historical and social changes. After previously picking sites in Liverpool and Newcastle, this time he’s chosen Bristol, the city where he has lived for over 20 years.
Since it debuted in November last year, Apple TV+ has barely made a dent in a market largely shaped by Netflix, but this eight-part adaptation of William Landay’s bestselling novel is a decisive step in the right direction.
Do TV companies get some sort of financial incentive to use the phrase “A Very British…” in their programme titles? This now-meaningless descriptor has been applied to airlines, brothels, political coups, the Renaissance, Margaret Thatcher, sex scandals, Brexit and lord knows what else. When you can’t think of an original title, you know what to do.
Former Liverpool manager Bill Shankly famously commented that football is far more serious than a matter of life and death. This couldn’t quite be said of Harry Redknapp’s renewed adventures of footballers reunited (ITV), yet behind its jokey facade of a bunch of Nineties-era England veterans drinking their way across Europe, Harry’s Heroes is strangely poignant and delivers some painful emotional truths.
The most obvious comparison for The Changin’ Times of Ike White (BBC Four) is 2012’s Searching for Sugar Man, with its story of a potential star having vanished into thin air at the brink of fame and fortune. The documentary began in the usual way of music biopics, with talking heads listening rapturously to the musician in question, then archive footage.
If you're catering for wish fulfilment, you might as well go the whole hog. Some say that Ryan Murphy and Ian Brennan, in their latest peachy extravaganza, aim no higher than the cheesier fantasies of the late 1940s Hollywood they take into neverland. But there are two key aspects to consider, beyond the always tasteful cinematography, the fashions and the ever-present pastichey music.