So it’s your birthday. Not just another one but your 70^th. So who’s on the guest list?

Charles Hazlewood's 2018 two-parter for BBC Four, Tones, Drones and Arpeggios: The Magic of Minimalism explored work by some of the great composers of the genre Hazlewood dubs as “last big idea in classical music”, which emerged from the experiments of John Cage in the 1950s, with offshoots spearheaded by the likes of La Monte Young and Terry Riley, and later Steve Reich and Philip Glass.

It’s reckoned that this time next year vinyl sales will have overtaken CDs. It’s still a small market and anyone who thinks vinyl will one day replace streaming is living on Planet Lah-lah. There’s so much coming out even theartsdesk on Vinyl cannot review it all, but what we can do is devote 7500 words to what grabs our attention. We are not limited by genre or by new vs reissue. We eat it all up and want more. So check below for the juice on what’s out there. Dive on.

In the lyrics of 1989’s “Doin’ Our Own Dang”, Jungle Brothers’ Mike D noted his combo were “Breaking the beat others wished they broke.” Going further, he acknowledged “Cause you’re trying to feel what’s on my reel to reel.” Jungle Brothers recognised they were not on their own. During the same year, the like-minded De La Soul released their debut album 3 Feet High and Rising.

"The reason why it's so special to be here," says Ezra halfway through the show, "is because this is where I saw so many of my heroes". Tonight is the 26-year-old's debut at the Royal Albert Hall and the look on Ezra's face says he can't quite believe where he's standing. He holds his hands up with a shrug, stares out at the crowd, and smiles a Cheshire Cat grin.

While bands such as The Birthday Party, Siouxsie and the Banshees and, especially, Bauhaus had a hand in inventing goth music at the start of the Eighties, it was The Sisters of Mercy who defined it. Their combination of black clad cowboy shtick, mirror shades and dry ice worked a treat. In recent years, there have been rumours that the band’s live shows are less than impressive, mentions of a tendency to focus on unreleased material while dressed in leisurewear.

Among the issues integral to the final album The Beatles recorded two, though usually low profile, are worth bearing mind. Abbey Road was their first album to be released in stereo only. There was no mono edition. Also, in late 1968, an EMI TG12345 console had been installed in Studio 2 of their label’s Abbey Road studios.

Hatari’s 10th placing in this year’s Eurovision Song Contest hasn’t done them any harm. Neither did ruffling the feathers of the European Broadcasting Union and host nation Israel with their stance on Palestine. Based on their performance in Hamburg at 2019’s Reeperbahn Festival, Iceland’s favourite BDSM-leaning popsters haven’t smoothed-off their rough edges.

Keane grew up six miles away in Battle, making this night in balmy Bexhill-on-Sea as close as they can practically get to a hometown gig. Prior to their first headline tour in six years, they’re playing new album Cause and Effect in full in an “in-store appearance”, hosted by the Music’s Not Dead record shop within the town’s art deco De La Warr Pavilion, but played in the main auditorium.

You might think that being first on the bill with a half-hour slot at 1.15pm would be an affront to a band who’d had a 12-times platinum album and ruled the 90s airwaves, but if they are offended Simply Red aren’t showing it. A weatherbeaten Mick Hucknall and his beaming companions are kicking off BBC Radio 2’s annual "Festival in a Day", a highly civilised affair (you can pre-order 80-quid picnics and it finishes at 9.30pm) featuring sets from huge pop names and chatty links by cheerful Radio 2 presenters.