theatre reviews, news & interviews
Heather Neill |

Perspectives on Shakespeare's tragedy have changed over the decades. As Nonso Anozie said when playing the title role for Cheek by Jowl in 2004, white actors once "concentrated on their perception of what a black man is". Laurence Olivier, whose 1964 performance in polished ebony make-up was once the gold standard for the part, famously observed black dock workers to learn their gait and mannerisms.

Gary Naylor |

It’s hard to pinpoint exactly what’s so very different about Belfast and Glasgow, both of which I have visited in the last few weeks, compared to, say, Manchester or Birmingham. Sure, there’s the architecture and the accents, but it’s more than that. 

Matt Wolf
Alan Hollinghurst's 2004 novel The Line of Beauty finds a distinct beauty all its own in this long-awaited Almeida Theatre premiere, the play's…
Helen Hawkins
On paper, this RSC revival of Ella Hickson’s 2013 adaptation sounds just the ticket: a feminist spin on the familiar JM Barrie story, with a gorgeous…
Gary Naylor
Hedda Gabler is a Hollywood star of The Golden Age – or rather, she was. She walked off the set of two movies into a five-film deal and didn’t come…

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Helen Hawkins
Witty but poignant tribute to the strength of family ties as all around disintegrates
Matt Wolf
Tracy Letts's Off Broadway play makes a shimmeringly powerful London debut
aleks.sierz
This Verity Bargate Award-winning dramedy is entertaining as well as thought provoking
Matt Wolf
Nick Payne's new play is amongst his best
Helen Hawkins
Kip Williams revises Genet, with little gained in the update except eye-popping visuals
aleks.sierz
Katherine Moar returns with a Patty Hearst-inspired follow up to her debut hit 'Farm Hall'
Gary Naylor
Raucous and carnivalesque, but also ugly and incomprehensible
Gary Naylor
Netflix star, Joe Locke, is the selling point of a production that needs one
Gary Naylor
Impressive spectacle saves an ageing show in an unsuitable venue
Demetrios Matheou
Hiran Abeyeskera’s childlike prince falls flat in a mixed production
Rachel Halliburton
Łukasz Twarkowski's production dazzles without illuminating
Gary Naylor
Informative and interesting, the play's format limits its potential
Gary Naylor
Shakespeare, in this adaptation, is at his most perceptive
aleks.sierz
West End transfer of National Theatre hit stars Stephen Fry and Olly Alexander
Gary Naylor
If you love the songs of KC and the Sunshine Band, Please Do Go!
Rachel Halliburton
James Graham's play transfixes the audience at every stage
Helen Hawkins
Will Lord's promising debut burdens a fine cast with too much dialogue
Rachel Halliburton
A visually virtuoso work with the feel of a gripping French TV drama
aleks.sierz
Lively star-led revival of Joe Orton’s 1964 debut raises uncomfortable questions
Gary Naylor
Date movie about repeating dates inspires date musical
Heather Neill
Indhu Rubasingham's tenure gets off to a bold, comic start
Gary Naylor
Natey Jones and Madeline Charlemagne lead a perfectly realised adaptation of the seminal movie
David Nice
Three outstanding performances in Conor McPherson’s atmospheric five-hander
Helen Hawkins
Morgan Lloyd Malcolm's version puts Mina Harkness centre-stage

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