DVD: Hammett

A hard-boiled egg or a neo-noir classic?

Wim Wenders’ fictionalised Dashiell Hammett biopic, the first of his six American films, was a critical and box-office failure, which, along with Francis Ford Coppola’s equally damned Vegas musical One From the Heart, brought down Coppola’s Zoetrope Studio. It almost goes without saying that both films - they starred the unstarry Frederic Forrest - are jewels: bracing, dream-like homages to old-fashioned sound-stage artifice. Where One From the Heart is a neon-crazy confection, however, Hammett is a dankly claustrophobic neo-noir.

Seven years in gestation, it premiered at Cannes in 1982 after it had been rewritten 11 times, the original production had been shut down and the second shoot had been completed in a fraction of the time and with a fraction of the budget that had absorbed the first effort. Wenders, hired after Nicolas Roeg had dropped out and François Truffaut had balked, found himself in thrall to a meddling boss, a wife, Ronee Blakley, who wanted her part built up (it was duly cut), and, apparently, his own indecision. It’s rumoured Coppola shot some of the film, but the tone seems truly Wenders-ish to me - humorous but existential, as fond as it is sorrowful, ultimately melancholy.

The plot sends Hammett on the trail of a missing teenage Chinese prostitute, who's got the Frisco city fathers' balls in her hand

The plot, as labyrinthine as Raymond Chandler’s The Big Sleep and similarly involving porn and blackmail, has an ex-Pinkerton detective (Peter Boyle) sending tubercular Black Mask pulp writer Hammett, his former protégé, on the trail of a missing teenage Chinese prostitute (Lydia Lei), who’s got the Frisco city fathers’ balls in her hand circa 1928. As Hammett figures out the mystery, sort of, the seeds for The Maltese Falcon are sewn in his mind - Roy Kinnear’s loquacious go-between delightfully channelling Sydney Greenstreet’s Gutman. Marilu Henner is Hammett’s red-headed gal pal, Elisha Cook (who played Greenstreet’s gunsel) plays a taxi driver, and there are bits, too, for Sam Fuller, Hank Worden, Royal Dano, Jack (Eraserhead) Nance, and other indispensables. One From the Heart also arrives on DVD this week.

Watch a clip from Hammett

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
The tone seems truly Wenders-ish - humorous but existential, as fond as it is sorrowful, ultimately melancholy

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more film

The actor resurfaces in a moody, assured film about a man lost in a wood
Clint Bentley creates a mini history of cultural change through the life of a logger in Idaho
A magnetic Jennifer Lawrence dominates Lynne Ramsay's dark psychological drama
Emma Stone and Jesse Plemons excel in a marvellously deranged black comedy
The independent filmmaker discusses her intimate heist movie
Down-and-out in rural Oregon: Kelly Reichardt's third feature packs a huge punch
Josh O'Connor is perfect casting as a cocky middle-class American adrift in the 1970s
Sundance winner chronicles a death that should have been prevented
Love twinkles in the gloom of Marcel Carné’s fogbound French poetic realist classic
Guillermo del Toro is fitfully inspired, but often lost in long-held ambitions
New films from Park Chan-wook, Gianfranco Rosi, François Ozon, Ildikó Enyedi and more