dance
Matthew Bourne's Play Without Words, Sadler's WellsSaturday, 14 July 2012
Sound the trumpets triumphantly - Matthew Bourne’s most original masterpiece has come out of hiding into full view, a giddy, sexy, diabolical confection that hovers on the edge of hellish, and deserves to become a global smash. Read more... |
Stonehenge Fire Garden, Salisbury PlainWednesday, 11 July 2012
Stonehenge, the monumental mystery of Britain’s past, decked out like a laundry yard with drying white vests and flowerpots scattered among its gigantic monoliths. It makes a most disconcerting image, and it is the precursive tableau that the public should not miss if they make the trek out to Salisbury Plain tonight or tomorrow for one of the Cultural Olympiad’s stranger installations. Get there before it all starts. Read more... |
Wiesenland, Tanztheater Wuppertal Pina Bausch, Sadler's WellsMonday, 09 July 2012
Let us conclude, after London’s season of World Cities - 10 dance shows - that Pina Bausch was not a choreographer. She began 50 years ago in Essen as a ballet dancer and like so many dancers in that field got bored with the rules. When she took over ballet in Wuppertal in 1973, she clearly had rule-breaking in mind but also had something inside her head very different from what one might identify as the geometry of dance. Read more... |
Dance GB, ENB/ NDCWales/ Scottish Ballet, Royal Naval CollegeFriday, 06 July 2012
It was one of the better Olympic culture ideas that Wales, Scotland and England should combine in a Dance GB night, with the three “national” dance companies all creating something new. But a risk that had little Wales holding its breath in fear, up against the might of English National Ballet and Scottish Ballet. And who would have expected the 12-strong National Dance Company Wales to emerge as unexpected heroes? Read more... |
Palermo, Palermo, Tanztheater Wuppertal Pina Bausch, Sadler's WellsTuesday, 03 July 2012
The curtain rises onto a wall that totally blocks the view. A long silence... then, without warning, the wall collapses – to cheers of delight from the audience. For the rest of the evening, the dancers have to pick their way over rubble strewn across the middle ground that restricts free movement to strips of open space at the front and rear of the stage. Read more... |
Birthday Offering/ A Month in the Country/ Les Noces, Royal BalletMonday, 02 July 2012
A birthday offering, a wedding celebration - with that, and one further creative collaboration ahead, Dame Monica Mason makes her farewell as director of the Royal Ballet after 10 years. The last programme of favourites from the store cupboard must always be a tricky one, but true to form the mistress of the great occasion (anniversaries have been a mainstay of her programming) picked rituals and ceremonies that stressed company ethos and values. Read more... |
The Grand Tour/ Faster/ The Dream, Birmingham Royal Ballet, Birmingham HippodromeThursday, 28 June 2012
Cafés, ballets, it’s all the same to the mighty petty bullyboys of the London Olympics, who have not only devised two of the most revolting mascots in Olympic history (the one-eyed slugs Wenlock and Mandeville) but also employed teams of apparatchiks in your name and mine to compel artists and small businesses not to infringe their entirely dubious copyright in the Olympic motto. Read more... |
Nefés, Tanztheater Wuppertal Pina Bausch, Sadler's WellsMonday, 25 June 2012
Istanbul, even more than Rome, is the point in the world where tectonic plates of civilisations collide: Europe, Arabia and Asia, Muslim Istanbul and Christian Constantinople, fundamentalists and secularists, 21st-century women and 15th-century men. The smells of hookahs, roses and fish are part of the magic the city has from time immemorial radiated, beckoning traders and dealers, visitors and adventurers, to a place of shifting histories and irresistible mystery. Read more... |
Bamboo Blues, Tanztheater Wuppertal Pina Bausch, Barbican TheatreSaturday, 23 June 2012
Premiered in 2007, Bamboo Blues was generated by a visit to Kolkata; and with the simplest of means, designer Peter Pabst conjures the vast landscapes of India. Read more... |
Der Fensterputzer, Tanztheater Wuppertal Pina Bausch, Sadler’s WellsTuesday, 19 June 2012
It may be that designer Peter Pabst is the unsung hero of Tanztheater Wuppertal’s “World Cities” extravaganza. When the lights go down at Sadler’s Wells for Der Fensterputzer (The Window-washer), the stage is dominated by a vast mountain of glowing red flowers, over four metres high, nine metres across, looming out of a modernistic black-box stage. It is a moment of pure, surging drama. Read more... |
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