dance
Firebird/ Rite of Spring, English National Ballet, London ColiseumFriday, 23 March 2012
Two amazing things in one evening from a company totally at sixes and sevens artistically - it could only be English National Ballet. First amazing thing: the uncovering of a confident and stylish young choreographer straight from school. Second amazing thing: the radical redesign of a modern classic with stunning flair and a performance that’s got to be one of the shows of the year, whatever else happens. Read more... |
FAR, Wayne McGregor|Random Dance, Sadler's Wells TheatreTuesday, 20 March 2012
This is a great spring for dance-lovers. Tucked in for two nights at Sadler's Wells (catch it again tonight) is the return of Wayne McGregor's FAR, well timed to appear just before his latest ballet at Covent Garden next week. Uniquely among choreographers today, McGregor has two lives; two selves; two creative identities. Read more... |
Alice's Adventures in Wonderland (2012), Royal BalletSunday, 18 March 2012
"I told you butter wouldn’t suit the works," accuses the Mad Hatter. "It was the best butter," replies the March Hare apologetically, in Lewis Carroll’s original tale. Butter might or might not suit the works onstage in the Royal Ballet’s everything-including-the-kitchen-sink version of Alice in Wonderland. We’ll never know, since Christopher Wheeldon has not used any butter at all, allowing his audience the merest scrape of choreographic margarine. Read more... |
Men in Motion II, Sadler's Wells TheatreThursday, 15 March 2012
This show was intended to be all about the men (see title). But it was the woman in motion who stormed off with the honours in this second edition of what has become tagged as the Sergei Polunin show. Read more... |
Can We Talk About This? DV8 Physical Theatre, National TheatreTuesday, 13 March 2012
“Do you feel morally superior to the Taliban? Well, do you?” And we’re off, with another of director/choreographer Lloyd Newson’s interrogations of a taboo subject. DV8 Physical Theatre is 25 years old this season, yet if anything, it, and Newson, have become more challenging, not less as the years go by. Read more... |
Romeo and Juliet, Royal BalletSunday, 11 March 2012
Better late than never. It took till Act 3 for a new Juliet to fledge her wings and shed the nervous caution, but Melissa Hamilton, debuting yesterday afternoon in probably the Royal Ballet’s most coveted ballerina role, suddenly did what we all knew she could, and after a subdued first act seized the drama and the story. And, in Romeo’s phrase, light broke - the sun in the east. A fair new Juliet. Read more... |
Nederlands Dans Theater 2, Sadler’s WellsWednesday, 07 March 2012
NDT2 is a fascinating beast. The “junior” company of the venerable Nederlands Dans Theater, it features dancers on the cusp of maturity, aged generally between sixteen and their mid-twenties. Here, in choreography created especially for them, one can watch talent develop. And since the grown-up NDT-ers are known as some of the most exhilaratingly talented dancers in Europe, that is something very special. Read more... |
Russian Ballet Icons Gala: Celebrating Anna Pavlova, London ColiseumMonday, 05 March 2012
Fokine, the founding choreographer of the Ballets Russes, wrote on Anna Pavlova’s death, “Pavlova will be the dream of many generations, a dream of beauty, of the gladness of movement.” The superb array of international stars of ballet last night showing up at the Coliseum to honour Pavlova a century later had to set you thinking, all over again, about why this particular ballerina remains worldwide the epitome of what people imagine about the ballet. Read more... |
Daphnis & Chloë/ The Two Pigeons, Birmingham Royal Ballet, Birmingham HippodromeSaturday, 03 March 2012
There must be a protest movement going on in Birmingham’s ballet against London’s - if down south they insist on Kenneth MacMillan’s box-office blasters, so in the Midlands it’s Frederick Ashton’s more fragile work that reigns. BRB director David Bintley’s northern chip on the shoulder has its uses, and especially this spring. Read more... |
Richard Alston Dance Company, Sadler’s WellsThursday, 01 March 2012
The one thing you can count on at an Alston evening is the quality of the music: everything Alston does, and everything he creates for his dancers, revolves around the music. In his wonderful Roughcut, Steve Reich’s New York Counterpoint for clarinet and tape begins before the house lights dim, his sharp, vibrant phrases giving a sense of urgency to the audience before they have even settled down. Read more... |
Pages
latest in today
'We are bowled over!' Thank you for your messages...
