dance
Some Like It Hip Hop, ZooNation, Peacock TheatreThursday, 27 October 2011
The title is a warning, as is the cheesy grinning poster - this is going to be Fun with a capital F, and Feel-good too, and Family Friendly. And it is going to clean up hip hop’s badass image. I was already prejudiced against it before I sat down. Read more... |
Fabulous Beast Dance Theatre, Rian, Sadler's WellsTuesday, 25 October 2011
Wallets have been emptied by the proliferation of outstanding dance evenings in the past month - Akram Khan’s Desh, Lucinda Childs, the Merce Cunningham farewell - but increase your overdraft, for here is a heart-lifting and ingeniously ingenuous Irish dance night from Michael Keegan-Dolan and Liam Ó Maonlaí that could beat all for pure delight. Read more... |
La Fille Mal Gardée, Birmingham Royal Ballet, Sadler's WellsFriday, 21 October 2011
It may be that there is no sunnier place than Ashton’s La fille mal gardée. Certainly there is no sunnier ballet. It speaks not of great drama, nor ecstasy, but instead of gentle happiness, of quiet content and loving kindness. Not, one might think, the stuff of great art. But one would be – one is – wrong, and Ashton is happy to set us straight. Read more... |
Richard Alston Dance Company, Focus on Alston, The PlaceFriday, 21 October 2011
Time is a rare privilege in a choreographer’s career - in Britain, anyway. We don’t have the equivalents of Merce Cunningham, Martha Graham or Paul Taylor, who build careers into their eighties and beyond, with mighty efforts from private patrons and friendly art giants of their generation (Andy Warhol, Robert Rauschenberg, Isamu Noguchi et al). Read more... |
Lucinda Childs Dance Company, Barbican TheatreWednesday, 19 October 2011
There are various disinterments of supposedly iconic dance-makers going on in this year's Dance Umbrella (some live ones more dead than the dead ones), but no one is going to beat for sheer éclat Lucinda Childs’ astonishingly beautiful minimalist 1979 creation Dance, on this week at the Barbican. Read more... |
Armitage Gone! Dance, Queen Elizabeth HallWednesday, 12 October 2011
I wasn’t around to see when Karole Armitage won her spurs in her twenties as a punk ballet choreographer in America in the 1970s and early Eighties, so we must rely on her programme-sheet biography to explain to us that she is “seen by some critics as the true choreographic heir" to George Balanchine and Merce Cunningham. After last night’s dismal showing by her group, Armitage Gone! Read more... |
Emanuel Gat Dance, Brilliant Corners, Sadler’s WellsMonday, 10 October 2011
“Jazz is my adventure,” said Thelonious Monk. “I’m after new chords, new ways of syncopating, new figures, new runs. How to use notes differently. That’s it. Just using notes differently.” Based on the title of the new hour-long piece by Israeli choreographer Emanuel Gat, Brilliant Corners, named for Monk’s 1957 album, the naïve viewer might expect, at the very least, to hear some Monk. Not so. Read more... |
Limen/Marguerite & Armand/Requiem, Royal BalletMonday, 10 October 2011
The cool physical activity of McGregor’s Limen, the crimson passions of Ashton’s Marguerite and Armand, the symbolic sculpture of MacMillan’s Requiem - the weekend's new triple bill at Covent Garden shows three faces of British ballet-making over the past half-century. Read more... |
Merce Cunningham Dance Company, Barbican TheatreFriday, 07 October 2011
Any newcomers to Merce Cunningham who visit the last performances ever in Britain of his modern dance company - renowned, even notorious, for its abstruse abstractness - will surely go away with an impression of laughter, playfulness, the lightness of being. Read more... |
Akram Khan, DESH, Sadler's Wells TheatreThursday, 06 October 2011
It takes more than utmost craft and rich personality to hold the stage as a soloist - it takes a touch of divine self-belief, which Akram Khan has never displayed to more magnetic effect before than in his new solo DESH. Actually solo is too small a word for this epic, lavish display of the starpower that Khan now emits in the world of dance theatre. Read more... |
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