Classical Reviews
Mozart's Requiem, English National Opera, BBC Two review - strong and direct act of remembranceSunday, 15 November 2020
It must have felt very strange to Mark Wigglesworth that he returned to the London Coliseum under such unanticipated circumstances. Read more... |
BSO, Karabits, The Lighthouse, Poole online review – stealing fire from the godsThursday, 12 November 2020
There have been quite enough Beethoven tribute-acts and remixes during the 2020 anniversary year. We, and he, deserve better than composers riding pillion on that reckless, purring beast of a 700hp compositional engine. Read more... |
Proust Night, Wigmore Hall review – the music of memoryFriday, 06 November 2020
In a bold first strike – straight to the gut, surely, for many in the audience – the Wigmore Hall’s “Proust Night” began with an old recording of the Berceuse from Fauré’s Dolly Suite. Clever. Read more... |
Diabelli Variations, Imogen Cooper, Fidelio Orchestra Cafe review - a universe for a (temporary) farewellThursday, 05 November 2020
Beethoven anniversary year would not have been complete without witnessing a masterly live interpretation of his 33 ever more questing piano variations on a jolly waltz. This one was revelatory. Read more... |
Julia Bullock, Philharmonia, Salonen, RFH review – bewitching dreamscapesFriday, 30 October 2020
Nobody would wish it this way, but orchestras playing on a stage specially built-up for distancing to a handful of invitees have never sounded better in the Royal Festival Hall. Read more... |
Pavel Kolesnikov, Wigmore Hall review - the stuff of dreamsWednesday, 28 October 2020
To plan a programme around The Tempest, its symbolism and the idea of evanescence, the fragility of the human condition, is one thing. To pull it off convincingly is quite another. The young Russian pianist Pavel Kolesnikov not only did so in his Wigmore Hall recital on Monday night, but offered an evening so profoundly touching that it seemed at times to inhabit Prospero’s magic island, plus some. Read more... |
Philharmonia, Rouvali, RFH review – wide range of American voicesTuesday, 27 October 2020
There’s an old rule in the theatre that you don’t have to go on if there are more people on stage than in the audience. Read more... |
Northern Chords Festival, Church of St James and St Basil, Newcastle review - high, lucid and brightTuesday, 27 October 2020
Whatever happens next – and even in Tier 3 the Royal Liverpool Phlharmonic goes on playing to carefully distanced audiences – this will be remembered by all participants as a day of dazzling brilliance, its bright autumn light matched by so much of the music in a morning service and four concerts ending nine hours later. Read more... |
Brecon Baroque, Podger, Brecon Cathedral online review - Bach recolouredMonday, 26 October 2020
Bach’s Goldberg Variations, written for harpsichord in about 1741 supposedly (or perhaps not) for a certain Johann Goldberg to play to the insomniac Count Keyserlingk, have enjoyed – or suffered – countless arrangements for other instruments, including jazz trio (Jacques Loussier), string trio with electronics, and viol consort. Read more... |
City of London Sinfonia, Southwark Cathedral / Kanneh-Masons, Barbican review - soaring teamworkSunday, 25 October 2020
“Live music is back,” runs the Barbican's latest slogan, so treasure it and get out there while you can. Thursday evening in London offered an embarrassment of riches. Read more... |
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