mon 01/09/2025

Classical Reviews

Coote, Blackshaw, Fiennes, Wigmore Hall online review – lonely hearts club band

Boyd Tonkin

Why, in Lieder singing above all, should an outpouring of deep feeling so frighten critics? Alice Coote’s unabashed emotionalism as a recitalist can sometimes bring out the worst in the stiff-upper-lip brigade, as reactions to her high-impact Winterreise (last given at the Wigmore prior to the current lockdown) revealed.

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Budapest Festival Orchestra, Fischer online review - Mahler movements for the fish

David Nice

In verses from the folk anthology Des Knaben Wunderhorn (The Youth's Magic Horn) set by Mahler as a song, later adapted for the scherzo of his Second Symphony, St Anthony of Padua sermonizes on repentance to the fish, who all listen politely and then carry on behaving as they did before.

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Pavel Kolesnikov, Wigmore Hall online review - the joyful wisdom of the Goldbergs

Peter Quantrill

Aside from the happy accident of longevity, something that set Bach and Handel and Telemann apart from their contemporaries was fluency. I’m speaking here of musical rather than verbal tongues: the least polyglot of them was Bach, with his command of four languages, German, Latin, French and Italian, in decreasing degrees of facility.

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Scottish Chamber Orchestra, Emelyanychev online review – versatile virtuosity from Edinburgh

Christopher Lambton

Seated at the harpsichord, Maxim Emelyanychev introduces this concert in charmingly fractured English.

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David Webb's 'Winter Journey', Wigmore Hall online review - an epic shared

Miranda Heggie

The bleak isolation and lonely angst felt in Schubert’s Winterreise is only too appropriate for a lockdown January. However, one positive to shine from this gloom is tenor David Webb’s own "Winter Journey".

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The Hermes Experiment, Wigmore Hall online review - innovative and uplifting

Miranda Heggie

Fast making a name for themselves in contemporary chamber music, The Hermes Experiment players here give a wonderful debut recital at the Wigmore Hall, With a range of pieces as eclectic as their line up – harp, soprano, double bass and clarinet – the quartet perform a multifarious array of works, from Lili Boulanger’s...

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Christian Blackshaw, Wigmore Hall online review - pure as the driven snow

Jessica Duchen

From a distance, the pianist Christian Blackshaw bears an uncanny resemblance to Franz Liszt, silver hair swept back à la 19th century. At the piano, though, you could scarcely find two more different musicians. There seems not to be a flamboyant bone in Blackshaw’s body.

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Apartment House, Wigmore Hall online review - introspective music for isolated times

Miranda Heggie

Another year, another lockdown. Though I have little doubt this was not the way most us of hoped to start 2021, we can at least be grateful that we’re not suffering quite the same drought of live music we experienced back in March.

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Gillam, Hallé, Bloxham, Hallé online review - music of poetry

Robert Beale

Jonathan Bloxham makes his debut as conductor with the Hallé Orchestra in the third of the Hallé’s Winter Season concerts on film.

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The Soldier's Tale, Scottish Chamber Orchestra online review - top performers master a baggy mini-monster

David Nice

Born in exigency at the end of the First World War and soon kiboshed by the Spanish flu, The Soldier’s Tale as originally conceived is a tricky hybrid to bring off. Not so the suite – Stravinsky’s mostly incidental-music numbers are unique and vivid from the off – but the whole story, based on a Russian folk tale about a simple man’s tricky dealings with Old Nick, is awkward, made impossibly complicated and preachy by the Swiss writer Charles Ferdinand Ramuz.

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