wed 27/08/2025

Classical Reviews

Chiejina, Sinfonia of London, Wilson, BBC Proms review - a musical arrival for a special favourite

alexandra Coghlan

Turns out John Wilson was playing the long game from the start. The dynamic British conductor eased his way into Proms schedules in 2007, establishing his John Wilson Orchestra as an annual festival fixture just two years later. Film music from the Golden Age of Hollywood, Broadway musicals, Bernstein and more all arrived gleaming – freshly polished and ready for their close-up.

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Hallenberg, Monteverdi Choir, English Baroque Soloists, Gardiner, BBC Proms review - a vindication of voices

Boyd Tonkin

Choral singers have suffered more than most from erratic and irrational Covid prohibitions while riskier mass pursuits have gone ahead. So when one of the world’s great choirs returned to the Proms with the conductor who has guided them for over half a century, the sense of occasion was palpable.

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Aimard, Mahler Chamber Orchestra, Benjamin, BBC Proms review - a revealing composer portrait

Gavin Dixon

Composer George Benjamin has dazzling talent, but he is difficult to showcase. He is not a naturally extrovert type, and most of his projects take years to formulate, and only come about through collaboration with close and trusted performers.

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Kopatchinskaja, BBCSSO, Volkov, BBC Proms Review - the spirit of the dance in Bartók

Sebastian Scotney

Violinist Patricia Kopatchinskaja has a joyous hunger for communication through music. She sometimes seems to dance through it. This was at its most vivid when she lunged towards BBC Scottish Symphony Orchestra leader Laura Samuel to invite her to start the encore at the end of the first half of Saturday’s Bartók Roots Prom, “Baladă și Joc” (ballad and dance), a duo for two violins by György Ligeti.

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Crowe, BBCSSO, Volkov, BBC Proms review - shining light on history and heritage

Peter Quantrill

Minds in Flux is the largest of this season’s Proms commissions, and last night it afforded a rare chance for UK audiences to hear work of George Lewis outside the often insular new-music and avant-garde improvisation circuits.

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Jeneba Kanneh-Mason, Chineke! Orchestra, Bovell, BBC Proms - a star danced

David Nice

Now that you've found her, never let her go. I hope that’s the mantra among players of the Chineke! Orchestra and their Artistic and Executive Director Chi-chi Nwanoku – leading the double basses last night – after this Prom with Panamanian-American conductor Kalena Bovell.

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LSO, Rattle, BBC Proms review - dazzling Stravinsky showcase

Gavin Dixon

Simon Rattle and the LSO marked the 50th anniversary of Stravinsky’s death with a concert of three “symphonies”. In fact, the programme had little to say about Stravinsky’s relationship with symphonic form: his early E flat Symphony was omitted, and the Symphonies of Wind Instruments, the opening work, is not a symphony in any accepted sense.

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Elisabeth Leonskaja / Goldmund Quartet, Edinburgh International Festival review - established and emerging stars shine bright

Miranda Heggie

A gem in Edinburgh International Festival’s classical music programming has always been the Queen’s Hall series.

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Baker, Chineke! Orchestra, Eddins, Edinburgh International Festival review - women's stories told by women

Miranda Heggie

The Edinburgh International Festival has returned this year, with a programme of socially distanced events held almost completely outdoors.

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Esfahani, Gibson, Manchester Collective, BBC Proms review – variety, but not always in proportion

Bernard Hughes

I was looking forward to this Prom by the Manchester Collective, an exciting young group founded in 2016, which has quickly established a reputation for innovative presentation of contemporary repertoire.

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