Classical Reviews
Skride, National Symphony Orchestra, Matheuz, National Concert Hall, Dublin - musical philosophies soarMonday, 09 October 2023
Promising on paper, dazzling in practice: with a superlative soloist and conductor, this programme just soared on wings of philosophy-into-music. The spotlighting of NSO co-leader Elaine Clark provided another thread, from the opening chant of Linda Buckley‘s Fall Approaches through the keen dialogues with collegial Baiba Skride in Bernstein’s dazzling Serenade to the Viennese-waltz Dance Song of Strauss’s Also sprach Zarathustra. Read more... |
Roomful of Teeth, Milton Court review - mellifluous minimalism with a mild mannerSunday, 08 October 2023
If there’s a better name for a vocal group than Roomful of Teeth I have yet to come across it. But if it conjures up images of brash, in-your-face showbiz the reality couldn’t be more different. Read more... |
Degun, Scottish Ensemble, Queen's Hall, Edinburgh review - fusion of east and west, ancient and modernSaturday, 07 October 2023
In a fusion of musical traditions both eastern and western, old and new, Scottish Ensemble were joined by virtuoso sitarist and composer Jasdeep Singh Degun for an evocative performance of Degun’s own work plus reimagined music by Terry Riley and Hildegard von Bingen at Edinburgh’s Queen’s Hall. Read more... |
Ruisi, Hallé, Elder, Bridgewater Hall, Manchester review - returning to Ravel’s gloriesFriday, 06 October 2023
Continuing the retrospective aspect of his final season as music director of the Hallé, Sir Mark Elder returned last night to Ravel’s Daphnis et Chloé, the work with which he opened the orchestra’s 2014-15 Manchester series to such memorable effect. Read more... |
Hewitt, Basel Chamber Orchestra, Bard, Bridgewater Hall, Manchester review - 22 extraordinary musiciansTuesday, 03 October 2023
The Basel Chamber Orchestra’s 21 string players on tour are an extraordinary set of musicians. Not only did they begin their programme in Manchester with Vaughan Williams’ Fantasia on a Theme by Thomas Tallis, requiring at times one-to-a-part playing to accomplish its multi-voice textures, but eight of them put down their instruments and transformed into a choir for the piece that followed. Read more... |
Connolly, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - beginning with a fanfareMonday, 02 October 2023
The opening concert of a new season often tends to be a statement of intent, and this was John Storgårds’ opener of the first full season since he was appointed chief conductor of the BBC Philharmonic. He’s hardly a newcomer to them, though, since he has been principal guest conductor (latterly chief guest) for nearly 12 years now. The mutual respect and trust are clear. Read more... |
I Fagiolini, Hollingworth, Kings Place review - magnificent Monteverdi VespersSunday, 01 October 2023
It was great to see Kings Place full on Saturday night for I Fagiolini’s take on the Monteverdi Vespers, added, rock’n’roll style, as an “additional date due to public demand” after the Friday show sold out. And it was superb. Read more... |
Fung, RPO, Schwarz, Cadogan Hall review - high style from new cellist and conductor on the blockThursday, 28 September 2023
You go to a concert, three-quarters of it popular classics – also great masterpieces – having been told you have to hear a brilliant young cellist, and into the bargain you also discover a remarkable conductor and an orchestra on top form shedding transcendental light on the familiar. So everybody’s happy. Read more... |
Mahler 2, LPO, Gardner, RFH review - an interpretation of superlative resonance and clarityMonday, 25 September 2023
Epic and intimate, philosophically anguished and rhapsodically transcendent, Mahler’s "Resurrection" Symphony remains one of the most mountainous challenges of the orchestral repertoire. For the opening of the Southbank’s new season Edward Gardner and the London Philharmonic Orchestra delivered an interpretation of superlative resonance and clarity, in which it felt that we explored every detail of the foothills as well as the earth-shaking views from the top. Read more... |
Mad Rush, Carol Williams, RFH review - a rainbow of organ coloursMonday, 25 September 2023
Big Ben was chiming the quarter-hour as I hit the South Bank side of the river after a not terribly inspiring Remain rally in Parliament Square. What delight, then, to hear the wacky and wonderful Carol Williams playing Vierne’s “Carillon de Westminster” as the opening fanfare of her Royal Festival Hall organ hour. It’s one of my two favouite organ voluntaries – the other being the most famous, “the Widor Toccata”, and she ended with that. All was well, in fact, from start to finish. Read more... |
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