thu 05/12/2024

Classical Reviews

BBC Scottish Symphony Orchestra, Runnicles, Royal Albert Hall

Edward Seckerson Donald Runnicles striving to go the extra distance in Mahler's Third

Being a great Mahler conductor is all about going the extra distance: the near-inaudible pianissimo, the seismic crescendo, the rhetorical ritardando; the accelerando that borders on reckless, the tempo change that crashes the gear-shift, the general pause that becomes a gaping chasm. Mahler took all the trappings of Austro-German music to the edge and back. His most successful interpreters do likewise. So, on the evidence of this Prom performance of the...

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BBC Scottish Symphony Orchestra, Runnicles, Royal Albert Hall

David Nice Donald Runnicles: projecting a focused orchestral sound into the Albert Hall vasts

What a quintessential Prom: a quartet of works by English composers which aspire to international status, and in three cases wholly succeed, performed by the BBC's Scottish orchestra at world-class level under its homegrown but deservedly globetrotting chief conductor Donald Runnicles. And doing what the Albert Hall, if handled properly, assists in doing best - not the...

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Aimard, BBC Symphony Orchestra, Nott, Royal Albert Hall

Igor Toronyi-Lalic

It was a huge irony that the focus of last night's Proms programme was the musical duet: the concerto, the waltz, the visual-aural duet of a Ravel tone poem.

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Coco Chanel & Igor Stravinsky

Jasper Rees

She glides on the arm of a tail-coated swain into an elegant Belle Epoque drawing room. Music swirls, eyes swivel. And no wonder. Her thin black dress hugs a gamine frame, a look of masculine confidence rests on her face. Gabrielle Bonheur Chanel, better known to all and sundry as Coco, is making an entrance. Another one.

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Stephen Sondheim at 80, Royal Albert Hall

David Nice

Everybody in the business says don’t think Sondheim is easy. I’ve seen galas where big names stumbled in under-rehearsed numbers, and last night Bryn Terfel and Maria Friedman slipped and almost fell on the same banana skins that had done for them in a hastily semi-staged Sweeney Todd. Not enough to matter, though, and they rightly brought the house down. And the show as a whole?

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Australian Youth Orchestra, Elder, Royal Albert Hall

alexandra Coghlan Elder coaxed a strikingly mature performance from his young orchestra

The stage of the Royal Albert Hall has a rather unfortunate habit of making orchestras seem incidental. Stretching endlessly across, one of the world’s largest organs by way of backdrop, even the most generous conventional ensembles take on Lilliputian proportions. Youth orchestras, with their Romantic scale and do-or-die attack, often emerge best from this encounter, as the Simón Bolívar and Gustav Mahler ensembles have recently proved. Framed by eight double basses and five horns, the...

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Scottish Chamber Orchestra, Boyd, Royal Albert Hall

David Nice Douglas Boyd: a sprightly, soulful guide through late-night master serenades

The banquet's laid, the host is absent but the guests can still relish the first-class fare in his memory. Sir Charles Mackerras was perhaps looking down happily in the company of Mozart and Dvořák as another oboist-turned-conductor like himself, Douglas Boyd, put his beloved Scottish Chamber Orchestra players buoyantly through their paces. The special late-night...

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Josefowicz, BBC Symphony Orchestra, Knussen, Royal Albert Hall

Igor Toronyi-Lalic

"Stockhausen's festive overture from 1977 opens the programme," declared the Proms website cheerily. Come again? Festive? Stockhausen? From my limited but largely enthusiastic knowledge of the music of Karlheinz Stockhausen - much of which is about as festive as Auschwitz - I assumed that this must either be a big misunderstanding or a lively, perhaps German, joke. It was both.
 

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Deutsche Kammerphilharmonie Bremen, Järvi, Hahn, Royal Albert Hall

alexandra Coghlan

If the bust of Sir Henry Wood that watches over the stage of the Royal Albert Hall had come to life, Commendatore-like, during last night’s concert, I can’t help feel that he would have been smiling. Beethoven nights – once a popular Proms fixture – have lately fallen off the calendar, but alongside various nods to tradition have this year returned.

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Zacharias, BBC Philharmonic, Sinaisky, Royal Albert Hall

Igor Toronyi-Lalic Christian Zacharias 'is above all a great original at the piano, a great refashioner of phrases, a great chiseler, chipping away at old chintzy bad habits'

The Proms listings are full of concerts a bit like the one last night that seem to offer up, on paper, little of real burning interest: no big names, no star foreign orchestras, no intriguing rarities, no new works, nothing beyond one hard-working BBC orchestra and a few staple classics (a Strauss family waltz-medley and some Schumann) that could be rattled off by any professional orchestra blindfold. Be warned: these are the concerts that are most likely to transfigure your evening, stir...

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