Classical Reviews
Prom 53: Brahms Symphonies, Budapest Festival Orchestra, FischerWednesday, 27 August 2014
About 10 minutes into the Brahms Third Symphony I wanted to check a name in the Budapest Festival Orchestra’s programme. I dared to turn a page. Bad idea. Such preternatural stillness had settled over the sold-out Royal Albert Hall that the gesture could probably have been spotted from the balcony. Read more... |
Prom 52: Budapest Festival Orchestra, FischerTuesday, 26 August 2014
The first of this year's two Proms by the Budapest Festival Orchestra had looked like a rather strange confection, on paper at least. With eleven scheduled contributions, and only two of them destined to make it into double figures, its timings had even given it a passing resemblance to a short but eventful cricket innings (there were also three unprogrammed extra items, but more of those later). Read more... |
Prom 50: Weilerstein, Czech Philharmonic Orchestra, BělohlávekMonday, 25 August 2014
Even as orchestras began to sound more and more alike, there was the Czech Philharmonic. And many of its notable characteristics remain to this day: a modest, homespun quality, warm and engaging and full of bright-eyed distinction in the woodwinds. Read more... |
Prom 47: Britten War Requiem, CBSO, BBC Proms Youth Choir, NelsonsFriday, 22 August 2014
Nothing has resonated through the unfolding First World War commemorations more than the poetry of Wilfred Owen; and in terms of its grim immediacy and enduring heartbreak nothing ever could. Benjamin Britten knew that when he set down his War Requiem for posterity, counterpointing religious posturing with Owen’s indisputable truths. Read more... |
Wall, Mørk, Melbourne Symphony Orchestra, Davis, Usher Hall, EdinburghFriday, 22 August 2014
The Melbourne Symphony Orchestra’s Edinburgh Festival debut was the most telling example yet of the 2014 festival’s disregard for conventional concert programming. A programme that began with Strauss’ Don Juan and Four Last Songs could easily have settled into a comfortable evening of large scale late romantics, but instead turned on its heel to dip into Schumann’s Cello Concerto before concluding with Percy Grainger’s riotous The Warriors. Read more... |
Prom 46: West-Eastern Divan Orchestra, BarenboimThursday, 21 August 2014
By the time we got to the end of this Prom, with four of the five encores – the whole of Bizet’s Carmen Suite – cannily crafted to bolster the short official programme, most of the rightly euphoric audience had forgotten the most unsatisfying first half so far this season. Perhaps I start from an ungenerous standpoint. Read more... |
Prom 43: Skride, BBCSO, GardnerTuesday, 19 August 2014
The Russians were coming - and the prospect of Tchaikovsky’s 1812 Overture, even without the added attraction of hearing it in Igor Buketoff’s questionable choral arrangement where the Tsarist hymn is taken at its word and does a Boris Godunov on us, had the promenade queue fast stretching towards South Kensington. Read more... |
I, CULTURE Orchestra, Karabits, Usher Hall, EdinburghMonday, 18 August 2014
It is easy to be blinded by the sensational history of Shostakovich’s Seventh Symphony, the “Leningrad”. We cannot forget the famous performance by a starving makeshift orchestra in August 1942, at the height of the siege of Leningrad, or the dramatic way in which the Soviet authorities spirited the microfilmed score out of Russia to America via Tehran. Read more... |
Lemper, SCO, Foster, Usher Hall, EdinburghSaturday, 16 August 2014
Twenty years ago Ute Lemper came to the Usher Hall to sing Kurt Weill. The young pretender to the Lotte Lenya throne performed then on a bare stage with little more than a piano as accompaniment. Last night, she swept onto a platform crammed with a massively augmented Scottish Chamber Orchestra, with saxophone, guitar, banjo, rhythm section, accordion, grand piano, and a squadron of percussion. Microphones, foldback, and towers of gently whirring loudspeakers filled any remaining space. Read more... |
Gerhardt, Osborne, Queen's Hall/Keyrouz, Ensemble de la Paix, Greyfriars Kirk, EdinburghThursday, 14 August 2014
“Ah now, I can’t promise you sun,” says a Scots lady-in-waiting of her native weather to a novice Englishwoman near the start of Rona Munro’s masterly James Plays. It’s the first of many references to make the audience laugh knowingly. Well, after four days of the worst weather Edinburgh Festivalgoers can remember, the sun came out yesterday morning. Read more... |
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