Mingardo, Gritton, The English Concert, Bicket, Barbican | reviews, news & interviews
Mingardo, Gritton, The English Concert, Bicket, Barbican
Mingardo, Gritton, The English Concert, Bicket, Barbican
Sober, thoughtful, affecting and edifying: Handel, Vivaldi and Pergolesi at their best
Saturday, 27 November 2010
Sara Mingardo: 'With her glasses perched on the end of her pretty nose - which was in turn perched on the end of a very pretty face - a scholarly feel emanated from her divine exhortations'
Before Mozart, there was Pergolesi. The 18th century couldn't get enough of the Neapolitan prodigy. He was the first great tragic musical wünderkind of the Enlightenment, prefiguring what Mozart would become for the 19th century. Like Mozart, Pergolesi died prematurely aged just 26. Like Mozart, Pergolesi was a musical simplifier and distiller, a divine and revolutionary sieve. Like Mozart, Pergolesi's popularity spawned an industry dedicated to mythologising his life and misattributing the music of contemporaries to him. Yet we celebrate Pergolesi's 300th anniversary this year, quite unlike we would Mozart's, with just one piece: the Stabat mater.
Before Mozart, there was Pergolesi. The 18th century couldn't get enough of the Neapolitan prodigy. He was the first great tragic musical wünderkind of the Enlightenment, prefiguring what Mozart would become for the 19th century. Like Mozart, Pergolesi died prematurely aged just 26. Like Mozart, Pergolesi was a musical simplifier and distiller, a divine and revolutionary sieve. Like Mozart, Pergolesi's popularity spawned an industry dedicated to mythologising his life and misattributing the music of contemporaries to him. Yet we celebrate Pergolesi's 300th anniversary this year, quite unlike we would Mozart's, with just one piece: the Stabat mater.
It was a small joy to come back to the edifying rigours of this intriguing religious text after months drowning in the immoral philosophical bogs of late Romanticism
Share this article
Add comment
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Classical music
Bach Brandenburg Concertos, OAE, QEH review - forever young
Zest, dash and fun in rejuvenated favourites
First Person: Alec Frank-Gemmill on reasons for another recording of the Mozart horn concertos
On ignoring the composer's 'Basta, basta!' above the part for the original soloist
Andrej Power, LSO, Mäkelä, Barbican review - singing, shrieking rites of darkness and light
Radical masterpieces by Sibelius and Stravinsky have never sounded more extraordinary
Mailley-Smith, Piccadilly Sinfonietta, St Mary-le-Strand review - music in a resurgent venue
Neglected London church now the home of a vibrant concert series
Classical CDs: Mandolins, multiphonics and multiple pianos
Classical horn concertos, a Gallic record label celebrated and Seventies pop meets the French baroque
Kolesnikov, Hallé, Elts, Bridgewater Hall, Manchester review - the dude who dazzles
Fun French music forms a foil to naked, virtuoso pianism
Fauré Centenary Concert 5, Wigmore Hall review - a final flight
The master of levitation in transcendent performances from Steven Isserlis and friends
Ohlsson, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - grace and power in Brahms
A time-travelling journey through the Austro-German Romantic tradition
Fauré Centenary Concert 1, Wigmore Hall review - Isserlis and friends soar
Saint-Saëns is no also-ran in the opening event of a wondrous homage
'His ideal worlds embraced me with their light and love': violinist Irène Duval on the music of Fauré
On the centenary of the great French composer's death, a fine interpreter pays homage
Aci, Galatea e Polifemo, La Nuova Musica, Bates, Wigmore Hall review - thrilling Handel at full throttle
Vibrant rendering filled with passion and delight
Hallé, Wong, Bridgewater Hall, Manchester review - Bruckner’s Ninth completed
Kahchun Wong takes Manchester audience on an epic journey
Comments
...