mon 04/07/2022

Miranda Heggie

Articles By Miranda Heggie

Carly Rae Jepsen, Brixton Academy review - punchy, polished pop

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Transatlantic Sessions, Symphony Hall, Birmingham review - folk fusion from Burns to the boss

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Miloš Karadaglić, Birmingham Town Hall review - flashy and fierce, with exquisite detail

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Celtic Connections 2020, Glasgow review - fine feast of Scottish music

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Röschmann, LSO, Rattle, Symphony Hall, Birmingham review - passion with precision

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Ex Cathedra, Skidmore, Coventry Cathedral review - Christmas calm and contemplation

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Don Pasquale, Royal Opera review - fun and frolics in stylish new production

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Dariescu, Moscow Philharmonic Orchestra, Simonov, Symphony Hall, Birmingham review - Soviet fear and loathing

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Kolesnikov, Britten-Shostakovich Festival Orchestra, Latham-Koenig, Symphony Hall, Birmingham review - cross-country friendships flourish

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Don Jo, Grimeborn review - conceptual style over musical substance

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Edinburgh International Festival 2019: JARV IS review - Britpop legend still delivers

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Edinburgh International Festival 2019: Eugene Onegin, Komische Oper review - no-holds-barred romanticism

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Edinburgh International Festival 2019: Lawrence Brownlee, Iain Burnside - enthralling song duo

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Rinaldo, Glyndebourne Festival review - teenage dreams

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theartsdesk Q&A: composer Alastair White on his new opera ROBE

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Goodyear, Chineke! Orchestra, Marshall, Symphony Hall, Birmingham Review - engaging and uplifting

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Alcina, Glyndebourne review - Handel on the strand

Reviewing the Grange Festival production of Tamerlano the other day, I noted the difficulty...

Jessie Burton: The House of Fortune review - a muted, sensit...

A sequel is always a hard thing to write, especially if the book that precedes it is a bestseller, adapted for television and read by more than a...

Favour, Bush Theatre review - Ambreen Razia's punchy ne...

Where should Leila live — Ilford or Kent? It doesn’t sound like an earth-shattering decision for a 15-year-old to make, but the stakes...

Album: Laura Veirs - Found Light

The last minute of Found Light’s third track “Seaside Haiku” is defined by the repetition of a single phrase: “give but don’t give too...

Music Reissues Weekly: Ferkat Al Ard - Oghneya

Oghneya opens with the extraordinary “Matar Al Sabah.” Jazzy, with an overt Brazilian feel it gently swings and swoons....

Mick Jagger: My Life as a Rolling Stone review, BBC Two - th...

At the beginning of this film, Mick Jagger says: “What most...

The Making of Pinocchio, LIFT 2022, Battersea Arts Centre re...

Pinocchio is one of our most irreverent metamorphosis stories, and in this visually ingenious blend of...

The Undeclared War, Channel 4 review - how would the UK cope...

As the world lurches ever deeper into multiple manifestations of chaos,...