fri 10/10/2025

Josh Spero

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Bio
Josh is the editor of Spear's magazine. He has written for The Times, The Independent, The Guardian, the Economist and the National Theatre. He is a regular guest on CNBC and has been interviewed on the BBC World Service and other TV and radio channels.

Articles By Josh Spero

latest in today

'We are bowled over!' Thank you for your messages... ...
London Film Festival 2025 - crime, punishment, pop stars and...

Wake Up Dead Man: A Knives Out Mystery

The third of Rian Johnson’s Knives Out...

Clarkston, Trafalgar Theatre review - two lads on a road to...

If you’re a Gen Zer, you’ve probably heard of Heartstopper’s Joe Locke. I’m pretty sure ATG’s Gen Xers in...

Album: Boz Scaggs - Detour

Boz Scaggs rarely does a less than wonderful album. His latest is an exemplary collection of smooth and soulful standard and a few other choice...

Carmen, English National Opera review - not quite dangerous

“Safe” is a word used far too often in ENO’s bizarre new version of a programme, full of uncredited articles, at least two of which look as if...

Ghost Stories, Peacock Theatre review - spirited staging but...

In the framing device, a professor (Jonathan Guy Lewis) stands at a lectern and asks if anyone has had a supernatural experience....

Emily A. Sprague realises a Japanese dream on 'Cloud Ti...

The history of experimental musicians from Europe and North America adopting Japanese aesthetics is … patchy. It got especially dodgy in the 1990s...

R:Evolution, English National Ballet, Sadler's Wells re...

As the new season opens, confidence is high at ENB, just as it...

Trio Da Kali, Milton Court review - Mali masters make the an...

Trio Da Kali are griots, and their traditional role in...

Giustino, Linbury Theatre review - a stylish account of a sl...

It’s a good year to be Handel-lover. No sooner have summer runs...