Jillian Edelstein
Bio
Jillian photographed the Truth and Reconciliation Commission in South Africa for the New York Times and many other stories for The New Yorker, Vogue and Vanity Fair among others. Her portraits were recently exhibited at the National Portrait Gallery.
Articles By Jillian Edelstein
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Farewell Mister Haffmann, Park Theatre review - French hit o...
When Yasmina Reza’s cerebral play Art arrived in London in 1996, we applauded it as a comedy. Now another French hit,...
theartsdesk Q&A: Raoul Peck, director of the documentary...
With his furious docu-essay I Am Not Your Negro, Raoul Peck caused a stir in 2016. The film...
Jonathan Buckley: One Boat review - a shore thing
One Boat, Jonathan Buckley’s 13th novel, captures a series of...
Blu-ray: The Barnabáš Kos Case
One of The Barnabáš Kos Case’s incidental pleasures lies in its relatively accurate depiction of orchestral life. Much of the action in...
A Form of Exile: Edward Said and Late Style, CLS, Wood, QEH...
You could plan an entire concert season around the theme of “late style”, its paradoxes and variations. For this one-off, many of us expected a...
Edward II, RSC, Swan Theatre, Stratford review - monarchs, m...
“Don’t put your co-artistic director on the stage, Mrs Harvey,” as Noel Coward once (almost) sang.
Tamara...
BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manchester re...
Anja Bihlmaier returned to the BBC Philharmonic – for the first time in the Bridgewater Hall as principal guest conductor – with a programme to...
Album: Reg Meuross, Fire & Dust: A Woody Guthrie Story
I come to this album from a week or so spent among the denizens of the New York and Boston...
Music Reissues Weekly: Liverpool Sunset - The City After Mer...
What happens after the spotlight is directed towards another target? In the case of Liverpool and the Merseybeat boom – which, in terms of chart...