sun 26/05/2024

Jenny Gilbert

Articles By Jenny Gilbert

The Nutcracker: an end-of-year obituary

Read more...

The Seven Deadly Sins, Opera North online review - viscerally thrilling

Read more...

The Royal Ballet: Live, Within the Golden Hour review - stunning, joyous dance

Read more...

Birmingham Royal Ballet, Sadler's Wells review - onward and upward

Read more...

The Royal Ballet: Back on Stage review - fireworks in the Garden

Read more...

Michael Clark: Cosmic Dancer, Barbican Art Gallery review - mould-breaker, ground-shaker

Read more...

theartsdesk in Hamburg: Ghost Light - a ballet in the time of corona

Read more...

Dancing at Dusk: A Moment with Pina Bausch’s 'The Rite of Spring' review - an explosive African rite

Read more...

Notes on a no-show - Nico Muhly

Read more...

Richard Alston Dance Company, Final Edition, Sadler's Wells review - farewell and thank you, Sir Richard

Read more...

Isadora Now, Barbican Theatre review - a little piece of history

Read more...

Alina, Sadler's Wells review - I think therefore I dance

Read more...

Message in a Bottle, Peacock Theatre review - a hiphop singalong

Read more...

The Cellist/Dances at a Gathering, Royal Ballet review - A grand love affair with a cello

Read more...

Bluebeard, Tanztheater Wuppertal Pina Bausch, Sadler's Wells review - bleak but ground-breaking

Read more...

Michael Keegan-Dolan, MÁM, Sadler's Wells review - folk goes radical

Read more...

Pages

latest in today

Music Reissues Weekly: Jon Savage's The Secret Public -...

Jon Savage's The Secret Public How The LGBTQ+ Aesthetic Shaped Pop Culture 1955-1979 accompanies the titular author/...

Jerry’s Girls, Menier Chocolate Factory review - just a para...

Catchy even when the lyrics are at their cheesiest, the Jerry Herman Songbook serves up a string of memorable tunes: you’ll probably find that,...

Punt and Dennis, The Marlowe, Canterbury review - satire and...

Ten years after their last tour Steve Punt and High Dennis are back on the road with We Are Not a Robot. It comes after their long-...

Album: Jihye Lee Orchestra - Infinite Connections

Brooklyn-based composer and bandleader Jihye Lee’s story really does take quite some telling. Having been an indie pop singer in her native...

Furiosa: A Mad Max Saga review - just as mad without Max

In the way of Batman being overshadowed by his villains, in his last outing, Mad Max: Fury Road, the erstwhile hero of George Miller...

The Beach Boys, Disney+ review - heroes and villains and goo...

It was – let’s see – 63 years ago today that Brian Wilson taught the band to play. Fabled for their resplendent harmonies and ecstatic hymning of...

Album: Twenty One Pilots - Clancy

If there is one positive of the past decade, it must be the growing openness with...

Richard III, Shakespeare's Globe review - Michelle Terr...

There’s a fierce, dark energy to the Globe’s new Richard III that I don’t recall at that venue for a fair while. The drilled cast dances...

Kolesnikov, Wigmore Hall review - celestial navigation throu...

Like his baggy white suit, pitched somewhere between Liberace and Colonel Sanders, Pavel Kolesnikov’s playing was spotless at the...