fri 29/03/2024

Jenny Gilbert

Articles By Jenny Gilbert

Dance for Ukraine, London Coliseum, online review - a gala to remember

Read more...

The Weathering/Solo Echo/DGV, Royal Ballet review - the dancer as chameleon

Read more...

Dance (1979), Lyon Opera Ballet, Sadler's Wells review - luminous minimalism

Read more...

Swan Lake, Royal Ballet review - a magnificent revival

Read more...

Acosta Danza, Sadler's Wells review - here comes the sun

Read more...

Kontakthof, Tanztheater Wuppertal Pina Bausch review - struggling to make contact

Read more...

Raymonda, English National Ballet, Coliseum review - a creaky old standard, lavishly restored to health

Read more...

Best of 2021: Dance

Read more...

Starstruck, Scottish Ballet review - smart, sassy and cinematic

Read more...

The Danish Collector: Delacroix to Gauguin review - fabulous art, not sure about the framing

Read more...

Past Present, Linbury Theatre review - historic, but very much alive

Read more...

Ballet Black, Linbury Theatre review - an essential part of the landscape

Read more...

Curated by Carlos, Birmingham Royal Ballet, Sadler's Wells review - a star turn

Read more...

L'Heure Exquise, Linbury Theatre review - an exquisite tragedy in miniature

Read more...

The Dante Project, Royal Ballet review - a towering achievement

Read more...

Romeo and Juliet, Birmingham Royal Ballet & Royal Ballet review - a storming start to the season

Read more...

Pages

latest in today

Bach's Easter Oratorio, OAE, Whelan, QEH review – the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...

Schubert Piano Sonatas 4, Paul Lewis, Wigmore Hall review -...

“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...

Vossa Jazz 2024 review - Norwegian festival embraces William...

“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...

First person: playwright Paul Grellong on keeping pace with...

I’m writing this in the lobby of the...