sat 29/03/2025

Jenny Gilbert

Articles By Jenny Gilbert

MacMillan Celebrated, Royal Ballet review - out of mothballs, three vintage works to marvel at

Read more...

Carmen, English National Ballet review - lots of energy, even violence, but nothing new to say

Read more...

Swan Lake, Royal Ballet review - grand, eloquent, superb

Read more...

Dark With Excessive Bright, Royal Ballet review - a close encounter with dancers stripped bare

Read more...

La Strada, Sadler's Wells review - a long and bumpy road

Read more...

Manon, Royal Ballet review - a glorious half-century revival of a modern classic

Read more...

Giselle, English National Ballet, Coliseum review - if you go down to the woods today, beware of the Wilis

Read more...

Best of 2023: Dance

Read more...

Nutcracker, Tuff Nutt Jazz Club, Royal Festival Hall review - a fresh, compelling, adult take on a festive favourite

Read more...

The Limit, Linbury Theatre review - a dance-theatre romcom that lacks both rom and com

Read more...

Anemoi / The Cellist, Royal Ballet review - a feast of music in a neat double bill

Read more...

Song of Songs, Pam Tanowitz/David Lang, Barbican Theatre review - sublime music and intricate dance bring life to a 2,000-year-old love poem

Read more...

Don Quixote, Royal Ballet review - crazy Russian-Spanish romcom, brilliant dancing

Read more...

Ballet Nights, Lanterns Studio Theatre review - dance gets its own cabaret season

Read more...

Ailey 2, Marlowe Theatre, Canterbury review - young, black and fabulous

Read more...

Ballet Flamenco Sara Baras, Sadler's Wells - a roaring start to the Flamenco Festival

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Alfred Hitchcock Presents: The Musical - not a screaming suc...

In Italy, they did it differently. Their pulp fiction tales of suburban transgression appeared between yellow covers on new stands...

Album: Will Smith - Based on a True Story

Will Smith’s new album, Based on a True Story, is a prime example of why some comebacks should remain hypothetical. After two decades...

Verdi Requiem, Philharmonia, Muti, RFH review - new sparks f...

Forget, for a moment, the legend and the lustre. If you knew nothing about Riccardo Muti’s half-century of history with Verdi’s Messa da...

Wilko: Love and Death and Rock'n'Roll, Southwark P...

Resurrecting the origins of old rock stars is becoming quite the thing, After cinema’s Elton John, Freddie Mercury, Bob Dylan and...

The End review - surreality in the salt mine

The End, a quasi-musical from Joshua Oppenheimer, who has previously only produced ...

Playhouse Creatures, Orange Tree Theatre review - jokes, shi...

Creatives – or creatures? In the 1660s, women – having been banned from working as actors in previously more...

Album: Perfume Genius - Glory

I can’t stop reading and re-reading the review copy I got of a new book, out next week. Liam Inscoe-Jones’s ...

La finta giardiniera, The Mozartists, Cadogan Hall review -...

Just now, the notion of a long-term project that concludes in 2041 sounds like an optimistic bet on the far future worthy of some 18th-century...

La Cocina review - New York restaurant drama lingers too lon...

La Cocina is one of those films that cuts an excellent trailer, succinctly delivering just enough characters, plot and visual...