sat 25/03/2023

Jasper Rees

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Bio
Jasper has written about the arts, books, the media and sport for many broadsheets and magazines. He currently writes for the Telegraph and the Spectator. In the 1990s he also wrote about football for The Independent on Sunday. He is the author of I Found My Horn and co-author of the play of the same name. Bred of Heaven, his book on Wales and Welshness, was published in August 2011 and read on BBC Radio 4's Book of the Week. His latest book is a biography of Florence Foster Jenkins

Articles By Jasper Rees

Death and Nightingales, BBC Two, review - slow, lyrical, slightly dull

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The Girl in the Spider's Web review - Claire Foy leathers up

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WW1: The Last Tommies, BBC Four review - Great War stories

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Don Quixote rides again, and again

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The Little Drummer Girl, BBC One, review - latest Le Carré just passes audition

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Press, BBC One, series finale review - scarcely credible but highly entertaining

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Wanderlust, BBC One, series finale review - you can't have your cake and eat it

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Bodyguard, BBC One, series finale review - gripping entertainment of the highest calibre

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theartsdesk Q&A: Chas and Dave

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The Little Stranger review - the wrong sort of chills

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'You won't be able to handle this lady': remembering Fenella Fielding

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Keeping Faith, BBC One, series finale review - we need to talk about Evan

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Yardie review - Idris Elba shoots straight in his directorial debut

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Bodyguard, BBC One, episode 2 review - a wild ride to who knows where

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Neil Simon: 'I don’t think you want it really dark'

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P.E.Caquet: The Bell of Treason review - the sacrifice of Czechoslovakia

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latest in today

After Impressionism: Inventing Modern Art, National Gallery...

What a feast! Congratulations are due to the National Gallery for its latest...

John Wick: Chapter 4 review - is this the El Cid of shoot-...

Since the first John Wick film from 2014 became an unexpected hit, the Wick franchise has blossomed into a booming business empire, also...

Black Superhero, Royal Court review - ambitious, but messy

The act of idol worship is, at one and the same time, both distantly ancient and compellingly contemporary. Whether it is Superman, Wonder Woman...

Wilhelmina Barns-Graham: Paths to Abstraction, Hatton Galler...

A small cottage vanishes into a surrounding bay, its walls apparitional against pale waters. In the background, a pier juts out into the ocean,...

Album: Leveret - Forms

Ten years ago, three leading young English folk musicians got together in a room and swapped some tunes – Rob Harbron, whose English concertina...

Fröst, Philharmonia, Lazarova, Kuusisto, Southbank Centre re...

Anna Clyne’s engaging First Person here led me to two of her works in a Philharmonia rainbow. She curated a woodwind-based gem of a 6pm programme...

1976 review - dark, chilly Chilean thriller

It starts innocuously, with paint. A woman is sitting in a hardware store, studying a travel guide for colour ideas, while briefing the chap...

Album: Lana Del Rey - Did You Know That There's a Tunne...

Compared to her peers, Lana del Rey is mightily prolific. This is her eighth album since her breakthough 11 years ago (her ninth in total). Her...

Suede, Symphony Hall, Birmingham review - a messianic perfor...

“Why do we come to concerts?” asks Brett Anderson, Suede’s ringmaster and vocalist, before launching into an acoustic version of “The Wild Ones”...