sat 20/04/2024

Jasper Rees

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Bio
Jasper has written about the arts, books, the media and sport for many broadsheets and magazines. He currently writes for the Telegraph and the Spectator. In the 1990s he also wrote about football for The Independent on Sunday. He is the author of I Found My Horn and co-author of the play of the same name. Bred of Heaven, his book on Wales and Welshness, was published in August 2011 and read on BBC Radio 4's Book of the Week. His latest book is a biography of Florence Foster Jenkins

Articles By Jasper Rees

World on Fire, BBC One, series finale review - may this fine war drama fight on

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Tim Minchin, Eventim Apollo review - fabulous triumph of rhyme and reason

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The Capture, BBC One, series finale review - nimble drama alive with twists

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Al Alvarez: 'If I drop dead this minute, I’ve had a ter­rific time'

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Gentleman Jack, BBC One, series finale review - Anne Lister weds with pride

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Franco Zeffirelli: 'I had this feeling that I was special'

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Armistead Maupin's Tales of the City, Netflix, review - sex and dope soap is back in San Francisco

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Hatton Garden, ITV review - ancient burglars bore again

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Mum, BBC Two, series 3 review - welcome last hurrah for adult family sitcom

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Line of Duty, BBC One, series 5 finale review - big highs and Biggeloe

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Back to Life, BBC Three review - Daisy Haggard finds laughs in prison release

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Fleabag, Series 2 finale, BBC Three review - Phoebe Waller-Bridge's miraculous situation tragedy

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This Time with Alan Partridge, Series finale, BBC One review - back to his worst

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Dead Pixels, E4, review - gamers for a laugh

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Q&A special: The making of Local Hero

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The Bay, ITV, review - Broadchurch goes north

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latest in today

London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...

Watts, BBC Symphony Orchestra and Chorus, Bignamini, Barbica...

Anyone who’d booked to hear soprano Sally Matthews or to witness the rapid progress of conductor Daniele Rustioni – the initial draw for me –...

The Songs of Joni Mitchell, Roundhouse review - fans (old an...

For most people’s 40th birthday celebrations, they might get a few...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Album: Taylor Swift - Tortured Poets Department: The Antholo...

Taylor Swift’s unfathomable ability to articulate human emotion shines as brightly as ever in her latest double album The Tortured Poets...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...