Graham Fuller
Bio
Graham is a British writer and editor based in New York since 1986. He was the executive editor at Interview magazine (1990-2000) and the Sunday arts editor at the New York Daily News (2000-2005). He has written on film for the New York Times, New York Observer, all the British broadsheets, Sight and Sound, Film Comment and Rolling Stone.
Articles By Graham Fuller
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Ridout, 12 Ensemble, Wigmore Hall review - brilliant Britten...
Last night was the first time I had heard the 12 Ensemble, a string group currently Artist-in-Residence at the Wigmore Hall, and I was very...
Mickalene Thomas, All About Love, Hayward Gallery review - a...
On walking into Mikalene Thomas’s exhibition at the...
Helen Charlston, Sholto Kynoch, Temple Church review - fine...
Mezzo-soprano Helen Charlston just gets better and better, both as singer and as actor. Last night’s recital at Temple Church had an unusual and...
Album: bdrmm - Microtonic
Microtonic comes into focus on its third track, “Infinity Peaking.” Album opener “Goit,” featuring a guest vocal by Working Men’s Club’s...
Argerich, Oxford Philharmonic Orchestra, Papadopoulos, Barbi...
At the age of 83, Martha Argerich contains more personality in...
Jessica Duchen: Myra Hess - National Treasure review - well-...
Myra Hess was one of the most important figures in British cultural life in the mid-20th century: the pre-eminent...
Interview: Polar photographer Sebastian Copeland talks about...
Sebastian Copeland’s images of the Arctic may look otherworldly – with their tilting cathedrals of ice, hypnotic light, and fractured seascapes...
Rats on Rafts, The Victoria review - crepuscular Dutch quint...
An album is one thing, a live show is another. A truism of course, but one which is inescapable during this London date by the Rotterdam-based...
Blu-ray: Drugstore Cowboy
Rehab people will tell you there are three stages to drug abuse: fun; fun with problems; problems. There’s also a fourth phase, where there aren't...