fri 18/04/2025

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

A Thousand Times Good Night

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theartsdesk in Panama: Hubris, suffering and cinema

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Fatal Attraction, Theatre Royal Haymarket

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Salvo

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Q&A Special: Stranger by the Lake

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Bastards

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Richard II, Barbican

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theartsdesk at the Turin Film Festival

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Strangers on a Train, Gielgud Theatre

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Mojo, Harold Pinter Theatre

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French Film Festival UK

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LFF 2013: Only Lovers Left Alive

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LFF 2013: 12 Years A Slave

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LFF 2013: The Past

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LFF 2013: Abuse of Weakness

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LFF 2013: Gravity

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

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Ghosts, Lyric Hammersmith Theatre - turns out, they do fuck...

A single sofa is all we have on stage to attract our eye - the signifier of intimate family evenings, chummy breakfast TV and,...

Blue Road: The Edna O'Brien Story - compelling portrait...

“I was born with the ability and the demon to write. I have been punished for it constantly.”

Written and directed by Sinéad O’Shea, this...

Donohoe, RPO, Brabbins, Cadogan Hall review - rarely heard B...

The name Arthur Bliss always summoned up for me the image of a fuddy-duddy old buffer writing boring music. But as I’ve discovered his work over...

Album: Gigspanner Big Band - Turnstone

For lovers of British folk from the 1970s on, Peter Knight is a potent force – renowned for his years with Steeleye Span, in their 1970s heyday...

All the Happy Things, Soho Theatre review - deep feelings, b...

The mind is its own place, and in itself can make a heaven of hell, a hell of heaven. Or words to that effect. This quote from Milton’s ...

London Choral Sinfonia, Waldron, Smith Square Hall review -...

The London Choral Sinfonia are a very impressive group, a professional choir who are churning out terrific recordings at a breakneck pace – I...

Album: Mark Morton - Without the Pain

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The Forsythe Programme, English National Ballet review - bra...

It’s hard to think of anyone even half as persistent as William Forsythe in changing the conversation around ballet. The American...

Manic Street Preachers, Barrowland, Glasgow review - elder s...

As you might expect from a Manic Street Preachers gig, literary influences were never far away. A DH Lawrence quote was prominently displayed on...