fri 29/03/2024

Boyd Tonkin

Articles By Boyd Tonkin

Arminio, Royal Opera review - Handel does Homeland, and it works

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Yang, BBCSO, Oramo, Barbican review - roots and refinement

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The Damnation of Faust, LPO, Gardner, RFH review - the devil's in the detail

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Dunedin Consort, Butt, Wigmore Hall review - Christmas glory in Venice and Dresden

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Bach Christmas Oratorio (Parts 1-3 & 6), Britten Sinfonia, Polyphony, Layton, Barbican review - glorious riposte to Arts Council axe

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Batiashvili, Philharmonia, Shani, RFH review - Nordic mystery, Alpine tragedy

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A Child of Our Time, LPO, Gardner, RFH review - the spirit still moves

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Kristian Bezuidenhout, Freiburg Baroque Orchestra, Wigmore Hall review - fires of London

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Roderick Williams, Nash Ensemble, Wigmore Hall review - sunshine and serenity

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Ott, LSO, Stutzmann, Barbican review - highways to hell (and back)

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Tamerlano, English Touring Opera review - the darker side of Handel

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Mulroy, Aurora Orchestra, Kings Place review - old and new worlds of song

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Ax, LPO, Canellakis, RFH review - from the soil to the stars

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Prom 64, Beethoven's Last Three Piano Sonatas, Schiff review - morning glory

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Prom 57, Bach Mass in B Minor, OAE, Butt review - passion and precision

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Prom 49, Mahler's 'Resurrection' Symphony, Connolly, Alder, LSO, Rattle review - a long and grand goodbye

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Annie Jacobsen: Nuclear War: A Scenario review - on the inco...

‘[A]n unimaginably beautiful day’: this was how Kikue Shiota described the morning of the 6th of August, 1945, in Hiroshima. The day was soon to...

Bach's Easter Oratorio, OAE, Whelan, QEH review - the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...