We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…

Avril Coleridge-Taylor: Piano Concerto & Orchestral Works BBC Philharmonic Orchestra/John Andrews, Samantha Ege (piano) (Resonus…

“The wonderful Mirra exists in its own space.” Back in August, that was the conclusion of my review of Benedicte Maurseth’s then-new album…

Eugene Jarecki’s forensic investigation concludes that Julian Assange’s character flaws are dwarfed by the high crimes he exposed, and can’…

There were moments during the starry, two-evening Beare’s Chamber Music Festival when the quality of the playing reached such heights, it…

JB Priestley’s glorious pot shot at marital complacency in pre-First World War Bradford proves to be a tonic at a time of year where, for…

The third of James Cameron’s world-building epics arrives 16 years after the first one, but only three after number two, Avatar: The Way of…

A leftfield, Tony-winning phenomenon on Broadway, Cole Escola’s comedy comes to London very much living up to the hype. This is a…

My musical year isn’t primarily made up of albums – there are so many other ways of enjoying “New Music” – not to mention the classical…

Is there a neuroscientist in the house? I need a latterday Oliver Sacks to tell me about earworms, specifically earworms issuing from the…