sun 02/03/2025

tv

Girls on the Frontline, BBC Three/ News at Ten, BBC One

Jasper Rees

Let’s be honest, you never expect much sense from BBC Three. You don’t count on it for, say, depth of perspective. The channel which each week spews fresh torrents of hectic DayGlo entertainment in the specific direction of a desensitised demographic tends to steer clear of the big subjects. War and such. Girls on the Frontline, therefore, did not inspire much hope. That title. On any other BBC channel, it would have been women, not girls.

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Fat Man in a White Hat, BBC Four

Gerard Gilbert Fat Man in a White Hat: Bill Buford poses with Bob the baker.

Sophie Dahl made her debut as a TV chef last night in The Delicious Miss Dahl (try and imagine Leslie Phillips saying that), a BBC Two confection even more absurdly artificial than the various Nigella Lawson food-porn shows. At least you believe Nigella can and does make food and eat it - with Dahl (despite two cookbooks to her name) it just came across like another modelling job. And while the saucer-eyed beauty may be easier on the eye than Bill Buford, there was only one destination...

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Seven Ages of Britain, BBC One

Jasper Rees Gilbert and George and Dimbers go through the motions in Seven Ages of Britain

Seven Ages of Britain began in the same week as A History of the World in 100 Objects on Radio 4. You wait a prodigiously long time for a massive cultural overview and then two come along at once. Do they think in a joined-up way about these things at the BBC? Or has this double helping been a sign of a wider moral and structural chaos that characterises the new world disorder? Last night David Dimbleby concluded his tour of two millennia of British art. It has,...

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The Culture Show: Henry Moore, BBC Two

Josh Spero Henry Moore, Reclining Figure (1951)

What emerges from tonight’s Culture Show on Henry Moore, which examines how the sculptor exploited the media (and vice versa), is not the difference between the media of sculpture and television but the similarity.

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The Berlusconi Show, BBC Two

Gerard Gilbert

Imagine if Rory Bremner had been banned from British television for the past 20 years, and Gordon Brown had put pressure on the BBC to get rid of Question Time because it had been critical of him. In the Italy of Silvio Berlusconi these things happen.

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Glee, E4

Adam Sweeting

Rarely has a TV series been so easy to like and so tricky to define.  If you shoved High School Musical, American Idol and The Breakfast Club in a blender, you'd be in the right ballpark, though you still wouldn't quite have captured Glee's unique tone of sweetness, campness, tragic teenage confusion and satire.

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Requiem for Detroit?, BBC Two

Adam Sweeting

The only time I've ever been to Detroit was in 2004, in pursuit of assorted rock stars on the Vote for Change tour. Reader, it was weird. The atmosphere in the deserted streets was deathly, as if an invading army had swarmed into town, committed hideous atrocities and then moved on.

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Cutting Edge: Too Poor for Posh School?, Channel 4

Jasper Rees

OK, let’s flop it out into the open. Let’s show the cards I was dealt way back when. Those boaters you saw at the start of Cutting Edge's Too Poor for Posh School? I may well, in another lifetime, blameless aeons in the netherworld of one’s past, have been seen wandering along a high street on a hill north-west of London underneath one of those. The tailcoats worn by pews full of adolescents on Sundays? Yep. Once upon a time that was oneself.

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Inside John Lewis, BBC Two

Gerard Gilbert Inside John Lewis: Middle England's favourite department store meets the credit crunch

There must have been gnashing of teeth and the rending of heavily discounted garments in the marketing departments of Marks & Spencer, House of Fraser et al, when they realised that their commercial rival had been granted a three-hour advertisement on the BBC, but then there has always been something about John Lewis that seems to elevate it above the ruck and maul of the high street. What that something was – and whether or not it was purely mythical – was the subject of Liz Allen’s...

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A Band for Britain, BBC Two

Jasper Rees

We know the grammar now by rote. Some local institution is on its uppers. A traditional way of life is threatened by changing times. Sic transit etcetera and so forth. What’s wanted is a shot in the arm, a kick in the seat, preferably administered by a famous well-known celebrity star, one if at all possible followed at all times by their own bespoke camera crew.

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