Southbank Centre
Frankie Goes To Bollywood, Southbank Centre review - lots of lights, but a dull showMonday, 05 August 2024
In the 1960s, Cilla Black was rescued from hat check duties at The Cavern and made a star. In the 1980s, Rick Astley was whisked away from tea-making at the Stock-Aitken-Waterman studios to launch, 30 years later. a billion RickRolls. In the 2020s,... Read more... |
Concert Theatre DSCH, Norwegian CO, QEH review - visually stunning, viscerally thrilling ShostakovichMonday, 01 July 2024
This luminously persuasive, radically inventive performance of Shostakovich’s music begins – quite literally – at the end. Beneath a slowly revolving monochrome moon, a lone musician delivers a plangent rendition of the Moderato and Allegretto from... Read more... |
theartsdesk Q&A: violinist and music director Pekka Kuusisto on staged Shostakovich, Sibelius, sound architecture and folk fiddlingMonday, 01 July 2024
Lilac time in Oslo, a mini heatwave in June 2023, a dazzling Sunday morning the day after the darkness transfigured of Concert Theatre DSCH, the Norwegian Chamber Orchestra’s from-memory Shostakovich music-drama. Pekka Kuusisto and I decide not to... Read more... |
First Person: LIFT artistic director Kris Nelson on delivering the best of international theatre to the nation's capitalThursday, 30 May 2024
LIFT 2024 is nearly here. It’s a festival that will take you on deep and personal journeys. We’ve got shows that will catch your breath, spark your mind and rev up your imagination. There’s adrenaline too. It’s international theatre for your gut.... Read more... |
Queyras, Philharmonia, Suzuki, RFH review - Romantic journeysTuesday, 30 April 2024
As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The founder-director (in 1990) of Bach Collegium Japan, a distinguished harpsichordist-organist as well as one... Read more... |
Götterdämmerung, LPO, Jurowski, RFH review - outside looking and listening in, always with fascinationSunday, 28 April 2024
Four years embracing pandemic, genocide and rapid environmental degradation predicted by Wagner’s grand myth have passed before the Southbank Brünnhilde could become a new woman – literally, in this Ring. Since Das Rheingold, the “preliminary... Read more... |
Sheku Kanneh-Mason, Philharmonia Chorus, RPO, Petrenko, RFH review - poetic cello, blazing chorusFriday, 12 April 2024
Purple patches flourished in the first half of this admirable programme: it could hardly have been otherwise given Sheku Kanneh-Mason’s devotion to a new work in his repertoire, and the current strength of the Royal Philharmonic Orchestra under... Read more... |
Josefowicz, LPO, Järvi, RFH review - friendly monstersMonday, 08 April 2024
At first glance, this looked like an odd coupling: Stravinsky’s Violin Concerto from 1931, all spiky neo-classicism and short-winded expressionist sparkle, as a tributary opening before the mighty rolling stream of Bruckner’s Seventh Symphony.Yet in... Read more... |
Bach's Easter Oratorio, OAE, Whelan, QEH review - the joys of springtimeFriday, 29 March 2024
Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter Week music with a sense of suspense and anticipation built into vocal and instrumental lines that build... Read more... |
Murray, Vlaams Radiokor, LPO, Gardner, RFH review - visual ‘interpretation’ blunts sonic brilliance in Szymanowski rarityThursday, 07 March 2024
Chances are few enough to catch Polish composer Szymanowski’s densely brilliant 1920s score for a ballet about love in the Tatra mountains. Harnasie (Robbers) is so little known that we need a clear line through action and sung text. That all went... Read more... |
The Creation, Alder, Clayton, Mofidian, LPO, Gardner, RFH review - dancing gay in green meadowsSunday, 03 March 2024
Light and grace must flood the concert hall in Haydn’s The Creation, after a striking-for-its time evocation of Chaos, and periwigged creatures skip around the Genesis picture. With Edward Gardner keeping the London Philharmonic Orchestra and Chorus... Read more... |
Segev, LPO, Lyniv, RFH review - melody, magic, and mourningMonday, 12 February 2024
We began in a forest packed with dangers and delights and ended, also in the Czech lands, with an infectiously joyful country dance. In between, however, came a sombre and spellbinding exposure to the pain and grief of war.Last night at the Royal... Read more... |
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