Scotland
Album: Isobel Campbell - Bow to LoveThursday, 23 May 2024Isobel Campbell has maintained a consistent career on the fringes of popular music for three decades. She's made a home in the area where indie, folk, rock and BBC 6Music merge. Aside from her 1990s involvement with Belle and Sebastian, she’s best-... Read more... |
Nadine Shah, SWG3, Glasgow review - loudly dancing the night awayTuesday, 30 April 2024First Nadine Shah raised hopes, then dashed them. “I’ve never had a dance off onstage before,” she observed at one point, impressed by the shapes a crowd member was cutting, before confirming it wouldn’t be happening on this evening either. You’d... Read more... |
Janey review - fitting punchline for a contentious comedianWednesday, 13 March 2024The Glaswegian comedian Janey Godley, the woman who put the punch in punchline, has what she would call a “mooth” on her. It delivers pith and grit and lots of short words needing asterisks. Though possibly not for much longer, as she is in the... Read more... |
Ragnarok, Traverse Theatre, Edinburgh review - moving miniature apocalypseTuesday, 13 February 2024In terms of conveying monumental events using small-scale means, Edinburgh’s Tortoise in a Nutshell visual theatre company has form. Their 2013 Feral, for example, depicted the social breakdown of an apparently idyllic seaside town using puppetry... Read more... |
Many Good Men, Tynecastle Stadium, Edinburgh review - daring but flawed provocationSaturday, 10 February 2024There’s been an incident in Edinburgh. Right near the Scottish Parliament. Several dead, many more injured. Among the witnesses were two of the capital’s young football stars, now clearly traumatised by what they’ve seen. Someone shouting about... Read more... |
The Traitors, Series 2, BBC One review - back to the mind-labyrinthSaturday, 27 January 2024Asking whether there could be an end to melody given only 12 notes to work with, Sergey Prokofiev compared the possibilities to a chess game: “for the fourth move of the White there will be about 60 million variants.”So it is with the basic formula... Read more... |
Jekyll and Hyde, Lyceum Theatre Edinburgh review - audacious contemporary resonancesThursday, 18 January 2024Evil walks among us. But it doesn’t arrive courtesy of mad scientists, bubbling potions and horrifying transformations. Instead, it comes from ordinary people surrendering themselves to their basest desires and resentments. Even worse, doing that... Read more... |
Powell and Pressburger: A Celtic storm brewingWednesday, 20 December 2023“Nothing is stronger than true love,” a young laird says to a headstrong young woman in Michael Powell and Emeric Pressburger’s I Know Where I’m Going! (1945), his voice heard above the sounds of wind and waves. She replies, “No, nothing.”Even as... Read more... |
Same Team, Traverse Theatre Edinburgh review - shamelessly unseasonal Christmas cheerFriday, 15 December 2023You can keep your Cinderellas, your Aladdins, your wannabe Lord Mayors of London. The way forward with Christmas shows is clearly women’s football – more specifically, a Scottish five-a-side team that competes in the Homeless World Cup.You’ve got to... Read more... |
Hozier, OVO Hydro, Glasgow review - sublime voice and a super-sized soundWednesday, 13 December 2023There was something misleading about the opening of this concert. As Andrew John Hozier-Byrne and his band stepped onstage, the stage was lit up by a single spotlight, focused around the microphone that the singer stepped up to. Yet the following... Read more... |
CMAT, Barrowland Ballroom, Glasgow review - an evening of exuberanceMonday, 27 November 2023There was a moment towards the end of this exuberant evening when Ciara Mary-Alice Thompson compared the show to a pantomime. This was an extremely apt comparison, in a good way, for alongside the singing and dancing there was a helping of cheeky... Read more... |
MacMillan's Christmas Oratorio, Lois, Williams, RSNO, MacMillan, Usher Hall, Edinburgh – a great composer at the top of his gameMonday, 27 November 2023It is not every day that a new choral work by a living composer can confidently be labelled a masterpiece. Yet this is what we have here. James MacMillan’s Christmas Oratorio is still sufficiently freshly-minted to be receiving its Scottish premiere... Read more... |