sat 27/07/2024

Scotland

Hozier, OVO Hydro, Glasgow review - sublime voice and a super-sized sound

There was something misleading about the opening of this concert. As Andrew John Hozier-Byrne and his band stepped onstage, the stage was lit up by a single spotlight, focused around the microphone that the singer stepped up to. Yet the following...

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CMAT, Barrowland Ballroom, Glasgow review - an evening of exuberance

There was a moment towards the end of this exuberant evening when Ciara Mary-Alice Thompson compared the show to a pantomime. This was an extremely apt comparison, in a good way, for alongside the singing and dancing there was a helping of cheeky...

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MacMillan's Christmas Oratorio, Lois, Williams, RSNO, MacMillan, Usher Hall, Edinburgh – a great composer at the top of his game

It is not every day that a new choral work by a living composer can confidently be labelled a masterpiece. Yet this is what we have here. James MacMillan’s Christmas Oratorio is still sufficiently freshly-minted to be receiving its Scottish premiere...

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Greta Van Fleet, OVO Hydro, Glasgow review - all rock and very little roll

If nothing else, you couldn’t accuse Greta Van Fleet of short-changing fans when it came to costumes or pyro. It felt like every few minutes the Michigan throwback rockers frontman Josh Kiszka was disappearing offstage, only to reappear in a variety...

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Shetland, Series 8, BBC One review - same place but a different programme

The question they’re all asking is, can Shetland survive the loss of Douglas Henshall as DI Jimmy Perez? After all, it was Henshall’s shrewd and quietly anguished performance which gave the show much of its allure. And now there’s no Mark Bonnar...

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FLIP!, Summerhall Edinburgh review - sassy, satirical parable

You can almost feel the energy blazing off the stage in this fast, furious and fiercely funny two-hander from writer Racheal Ofori and Newcastle-based Alphabetti Theatre. Don’t blink or you’ll miss a crucial plot twist, or a nifty swerve into new...

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Maisie Peters, O2 Academy, Glasgow review - conjuring up an enjoyable pop spell

When Maisie Peters first appeared onstage she loudly asked if the crowd were ready for “the best night of their lives”, and given the youthful nature of the audience the ensuing 80 minutes might have lived up to the hype. There were screams,...

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They had a good war: Powell and Pressburger's no-nonsense heroines

In the current reappraisal of Michael Powell and Emeric Pressburger, what to make of the depiction of women in their key films, that striking tribe of Isoldes with chestnut hair and passionate natures?Powell (1905-90), a man of Kent whose love for...

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Dracula: Mina's Reckoning, Festival Theatre Edinburgh review - audacious and entirely convincing

An all-female production of Bram Stoker’s Dracula – well, kind of – that transplants the novel’s more local action to the northeast of Scotland, and finds a bloody new calling for one of its less ostentatious characters? Elgin-born writer Morna...

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The Last Dinner Party, SWG3, Glasgow review - affection and adulation for rising stars

The first declaration of love for the Last Dinner Party arrived approximately one song into their set. “I love you too,” declared a delighted looking Abigail Morris, the band’s pirouetting frontwoman, in response, and the ensuing hour suggested...

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Group Portrait in a Summer Landscape, Lyceum Theatre, Edinburgh review - a maze of ideas

The title of Peter Arnott’s new play – a co-production with the Pitlochry Festival Theatre, and now partway into a ten-day run at Edinburgh’s Lyceum Theatre – might conjure a painterly image of contented friends and family in an idyllic rural...

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New Order, OVO Hydro, Glasgow review - a nostalgia trip with a modern feel

Early on in this arena gig by New Order, a youthful, enthusiastic voice could be heard to say gleefully, “They’re just so 80s!”. That statement was both accurate and yet also misleading, for as this near two-hour performance showcased New Order’s...

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