Sadler's Wells
Akram Khan, GIGENIS, Sadler’s Wells review - now 50, Khan returns to his rootsSaturday, 23 November 2024
London-born Akram Khan has come a long way in a 35-year career. He performed as a young teen in Peter Brook’s production of The Mahabharata, then progressed to dance training first in kathak then in contemporary dance. He then created his own... Read more... |
First Person: singer-songwriter Sam Amidon on working in Dingle with Teaċ Daṁsa on 'Nobodaddy'Monday, 25 November 2024
Walking in the morning from my Airbnb along the road in West Kerry, a seven-minute walk with ocean on one side and farmland on the other, down to the Teaċ Daṁsa workshop space. I would bring all possible clothes for the short walk because the... Read more... |
Pina Bausch’s The Rite of Spring/common ground[s], Sadler’s Wells review - raw and devastatingSaturday, 09 November 2024
It takes a lot to make an audience not want to head to the bar at the interval. But the preparation of the stage floor for The Rite of Spring in the version by Pina Bausch is a piece of theatre in itself, and many at Sadler’s Wells couldn’t tear... Read more... |
National Ballet of Canada, Sadler's Wells review - see this, and know what dance can doSaturday, 05 October 2024
What to expect of the National Ballet of Canada since its last London visit 11 years ago? Dance with an eco-message, a world-peace message, or more visible diversity on stage?It's all there in the homegrown triple bill the company has brought to... Read more... |
Resurgence, London City Ballet, Sadler’s Wells review - the phoenix rises yet againThursday, 19 September 2024
You need to be fairly long in the tooth to feel nostalgia for the heyday of London City Ballet. The group was set up in 1978 by the late Harold King to tour a large and varied classical repertoire at home and abroad. Princess Diana, its patron,... Read more... |
A Chorus Line, Sadler's Wells review - high-kicking fun that's low on pathosTuesday, 06 August 2024
A Chorus Line reigned supreme on Broadway from 1975 to 1990, a bold, bare-bones piece that for once put musical theatre’s hoofers in the spotlight. “As welcome as a rainbow after a thunderstorm” was Clive Barnes’s summation in the New York Times.It... Read more... |
First Person: LIFT artistic director Kris Nelson on delivering the best of international theatre to the nation's capitalThursday, 30 May 2024
LIFT 2024 is nearly here. It’s a festival that will take you on deep and personal journeys. We’ve got shows that will catch your breath, spark your mind and rev up your imagination. There’s adrenaline too. It’s international theatre for your gut.... Read more... |
Carmen, English National Ballet review - lots of energy, even violence, but nothing new to sayWednesday, 03 April 2024
The story of Carmen is catnip to choreographers. No matter how many times this 180-year-old narrative has been tweaked and reframed in art, theatre, opera, dance and film, they keep coming back for more – which is curious when you consider that... Read more... |
First Person: Ten Years On - Flamenco guitarist Paco Peña pays tribute to his friend, the late, great Paco de LucíaSunday, 25 February 2024
There are moments that forever remain imprinted in our consciousness, engraved on the general map of our lives. I cannot forget the excitement of seeing snow for the first time in Córdoba, aged three or four, rushing to walk on it only to slip... Read more... |
Nelken: A Piece by Pina Bausch, Sadler's Wells review - welcome return for an indelible classicThursday, 15 February 2024
Perhaps the most memorable of the stage designs Peter Pabst created for Pina Bausch is back in London after nearly 20 years: a sea of erect pink silk carnations, the Nelken of the title. It’s canonical that there are 8,000 of them, but only the... Read more... |
La Strada, Sadler's Wells review - a long and bumpy roadThursday, 01 February 2024
Federico Fellini’s 1954 classic La Strada ought to be a gift to a choreographer. The film has pathos, good and evil, a bewitchingly gamine heroine, and incidental music by the great Nino Rota, a composer who can find melancholy in the music of... Read more... |
First Person: pioneering juggler Sean Gandini reflects on how the spirit of Pina Bausch has infiltrated his workTuesday, 30 January 2024
I am a juggler. My wife Kati Ylä-Hokkala is also a juggler. Our life for the last three decades has been juggling. We have been fortunate to be practising this art form at a time when mathematical and creative developments meant that our vocabulary... Read more... |
- 1 of 24
- ››
