percussion
Thomas H. Green
Can you find a more extensive and comprehensive rundown of monthly vinyl releases than theartsdesk on Vinyl? We can’t. But then we would say that. Don’t believe us, though; below we surf punk, techno, film soundtracks, folk, major label boxset retrospectives, avant-garde electronica, pop, R&B and tons more. Dive in!VINYL OF THE MONTHBelako Render Me Numb, Trivial Violence (Belako)Basque four-piece Belako create the most exciting new version of indie rock that theartsdesk on Vinyl has heard in a long while. In fact, it’s belittling to term it "indie" for this is a galloping hybrid that Read more ...
howard.male
Rarely has an album’s artwork better reflected its content: blackness, or the void from which light occasionally emanates. This is a collection of instrumentals enhanced by vocals, rather than what might be called songs. The opening minimalist piece “Lightshaft” begins with a single plucked guitar note and its long vibrato-laden after-echo, like the sonic equivalent of a lone flickering candle. Norwegian singer Anneli Drecker’s haunting contributions can’t be described as lead vocals because they are no more or less significant than any other texture on the record.This is only the former Read more ...
Peter Quantrill
Made from girders, say the brewers of an infamous Scottish fizzy drink. If you could siphon the music of Edgard Varèse into a can, that’s what it would taste like. Blunt, acrid, inimitable, fizzing with closely guarded, possibly unpleasant ingredients. The danger was that exposure to his entire output in one day would prove no more palatable than chugging through a two-litre bottle of Irn-Bru.Thanks to some sensitive programming and superbly prepared performances, however, the BBC’s “Total Immersion Day” did not entail saturation. Instead, the indomitable strength of a personality, and a Read more ...
David Nice
It is a truth not widely acknowledged in the UK as yet that Robin Ticciati's elder brother Hugo is no less fine a shaper of musical thought. He could, as his solo playing last night richly proved, have had a career as a virtuoso violinist playing with all the world's great orchestras. Instead he chose a much more individual path: inspiring, even electrifying a group of musicians in Sweden, forging highly original programmes in which the so-called "old" – for which read timeless – comes up freshest in the company of the new.As soloist, he had no fear of comparisons here with the ever- Read more ...
Gavin Dixon
Tamara Stefanovich and Colin Currie – a dream team for Birtwistle’s The Axe Manual. Both are new music specialists with a gift for grace and dexterity, even in the most complex works. The score sets up a range of sophisticated relationships between piano and percussion, from sympathetic resonances to complex interplays of stretto and hocket. Yet none of this fazes the two players, nor ever challenges their close ensemble, seemingly telepathic in its precision.The percussion setup is based around a large marimba, with a collection of mostly untuned instruments arranged at either side. Read more ...
Sebastian Scotney
No quibble about the result. Pianist Martin James Bartlett deservedly became BBC Young Musician of the Year 2014 at Usher Hall in Edinburgh last night. The 17-year-old, a student at the specialist Purcell School in Hertfordshire, and at the Junior Department of the Royal College of Music took the title with a very strong performance of Rachmaninov's Rhapsody on a Theme of Paganini. He was watchful, alert to every nuance, playing idiomatically, and with a very convincing sense of the shape of the piece right through to the final pay-off. He also established a lively partnership with the Read more ...
Kieron Tyler
Few real-life subjects of a film would allow themselves to be seen in the way Ginger Baker is in Beware of Mr. Baker. He’s violent, bullying, self obsessed, a control freak, irresponsible, sexist, foul-mouthed and harbours decades-long grudges. Since he doesn't appear to be ill, it's difficult to ascribe his behaviour to forces beyond his control. He does, though, love animals and is a legendary drummer. So that’s all right then. Not only is Beware of Mr. Baker a testament to director Jay Bulger’s tenacity, it’s a portrait of a human so grotesque that even William Hogarth couldn’t have Read more ...
joe.muggs
It's pretty impressive that at 74 years old, the drummer Jaki Liebezeit should still be one of the most vital musicians on the planet. Maybe not all that surprising, though. From the moment in 1968 when he switched from free jazz to the narcotic jams of Can, he pioneered a rolling rhythmic style that suggested infinite patience and a man comfortable in his body, and it feels entirely natural that his beats should keep on rolling into old age. “Liebezeit” translates literally as “Love Time”, and it feels like he really does.Though he's collaborated with all kinds of big names including Brian Read more ...
edward.seckerson
The evolution of the solo percussionist has advanced dramatically over the last couple of decades and among the superstars of the hardware that can be struck and pounded or caressed and stroked is the flying Scotsman Colin Currie, whose profile has steadily grown since becoming the first percussionist ever to reach the finals of the BBC Young Musician of the Year in 1994.In 2005 he received a coveted Borletti-Buitoni Trust Award enabling him to both to extend his commissioning activities and to raise awareness of the percussive revolution in which he plays such a major role. Currie talks here Read more ...
Ismene Brown
The astronomer Sir Patrick Moore was a keen composer of decided musical preferences, and no mean xylophonist. The news of his death on Sunday reminded me of my hugely enjoyable encounter with him - for musical reasons - for the Daily Telegraph in October 1998, heralding the release of a recording of his tunes.PATRICK Moore is hammering the living daylights out of the xylophone in his dark, cluttered drawing-room. Over it hangs a sharp message to visitors: "No, you may NOT put your cup on the xylophone". I have a sudden vision of him attacking an offender with his mallets.When I arrived at his Read more ...
Kieron Tyler
Ennio Morricone: In ColourKieron TylerThe recent release of Berberian Sound Studio raised the level of interest in Italian film soundtracks. From the moment Ennio Morricone’s compositions for the spaghetti westerns of the Sixties attracted attention, it became obvious that Italy operated to a different metronome than the other filmmaking nations. Morricone will always be a prime interest, not least because he has made so much music, in a bewildering array of styles. This exceptionally good value, neatly packaged clam-shell box collects eight of his soundtracks from 1969-1979 over four discs. Read more ...
Ismene Brown
Two hundred years ago in Durham taverns you could find men in wooden clogs clattering on the tables, with their mates pressing their ears to the underside of the surface. Meanwhile, at the other end of the world, African slaves with bare feet were shuffling on dirt with metal bottle caps held between their toes. Now picture a Mediterranean gypsy dancing of sorrow and pain with swirling shawls and angrily pounding heels. Three quite different scenes, different places, different eras, but all rooted in one human impulse, common the world over.Rhythm, in its expressive sense, has been quietly Read more ...