Opera North
From the House of the Dead, Opera NorthFriday, 06 May 2011
Janáček’s stark Prelude is a stunner: there’s no conventional beginning, no conventional thematic development; it simply starts, as if a light switch has been flicked on, and the baleful opening theme is distorted, repeated, squeezed until it leads... Read more... |
Fidelio, Opera North, Leeds Grand TheatreThursday, 14 April 2011
Unpleasant feelings of confinement and claustrophobia hit you when the curtain rises after Beethoven’s disconcertingly jolly overture; one small room is visible on stage, framed by black curtains. The sun shines oppressively through the barred... Read more... |
Cautionary Tales!, Howard Assembly Room, Leeds Grand TheatreSaturday, 12 March 2011
Trying to introduce children to classical music is a tricky business. The benchmarks are still Prokofiev’s Peter and the Wolf and Poulenc’s Babar – both characterised by witty, quirky music and strong storylines. Opera is a harder sell – there’s... Read more... |
The Portrait, Opera NorthWednesday, 02 February 2011
Based on a short story by Gogol, Alexander Medvedev’s libretto for Mieczysław Weinberg’s The Portrait was originally conceived for Shostakovich. It was subsequently passed to Weinberg, who finished his opera in 1980. It’s a bleak, Faustian tale... Read more... |
Carmen, Opera NorthMonday, 17 January 2011
“If you’re not careful, the opening act could become a costume parade: there are the townspeople, the children, the guards, the factory women – up to 350 people on stage in 20 minutes, before Carmen even enters, singing a catchy jingle... Read more... |
Lill, Orchestra of Opera North, González, Leeds Town HallSaturday, 04 December 2010
Outstanding orchestral playing can be found outside London, Manchester and Birmingham. Unlike those cities, Leeds doesn’t have a purpose-built modern concert hall suitable for large-scale concerts, making do with the gaudy Victorian splendour of... Read more... |
The Merry Widow, Opera NorthSunday, 17 October 2010
It’s such a pity that the more striking elements in Franz Lehár’s orchestration are heard so fleetingly, such as the tiny glints of cimbalon which give the best parts of the score an authentic bohemian - or Pontevedran - flavour. But too often the... Read more... |
The Turn of the Screw, Opera NorthMonday, 11 October 2010
To paraphrase a cliché, it’s rare to leave a theatre humming the lighting. But here, Matthew Haskins’ lighting designs help make this production so powerful and evocative, whether projecting grotesque, distorted shadows on the back wall of Madeleine... Read more... |
The Seckerson Tapes: Opera North Double BillSaturday, 25 September 2010
"It is a curious tale. I have it written in faded ink, a woman's hand, governess to two children, long ago..." So begins Benjamin Britten's operatic re-imagining of Henry James's ghostly chiller The Turn of the Screw. Oscar Wilde called it "a most... Read more... |
The Adventures of Pinocchio, Opera NorthFriday, 17 September 2010
There’s something deliciously extravagant about this Pinocchio by composer Jonathan Dove and librettist Alasdair Middleton. It’s remarkably faithful to Carlo Collodi’s picaresque text, and so we get everything. Elaborately costumed characters enter... Read more... |
theartsdesk in Bregenz: The Genius of Mieczyslaw WeinbergSunday, 08 August 2010
Ever since I can remember, the composer Mieczyslaw Weinberg has played a walk-on part in histories of Soviet music. If you find him in an index at all (probably under Vainberg or Vajnberg, and usually with the first name given him by a box-ticking... Read more... |
Mary Stuart, Opera NorthSaturday, 05 June 2010
Among the many pleasures of Donizetti's Mary Stuart is the fun of watching a chunk of primary-school history filtered through a florid bel canto imagination. There are moments when you want to cry out, “That’s not what happened!” But it’s so fast-... Read more... |
