mental health
Eternal Beauty review - imagination in every frameFriday, 02 October 2020
Barring a few outliers, British indies tend to follow the same formula: serious subjects told seriously. Whether it’s a council estate, a rural farm, or a seaside town, you can always rely on that trademark tension and realism we Brits do so well.... Read more... |
Playing Sandwiches & A Lady of Letters, Bridge Theatre review - the darkness dazzles, twice overThursday, 01 October 2020
"Getting dark," or so comments Irene Ruddock (a pitch-perfect Imelda Staunton) in passing midway through A Lady of Letters, and, boy, ain't that the truth? Both this monologue, and the one that precedes it (Playing Sandwiches, featuring the mighty... Read more... |
Wayne Holloway-Smith: Love Minus Love review – powerfully excavating the tormented poet's psycheSunday, 06 September 2020
Roughly two years since “the posh mums are boxing in the square” scooped first place in the 2018 National Poetry Competition, Wayne Holloway-Smith returns with Love Minus Love, his second full-length collection. The follow-up to Alarum (2017)... Read more... |
Sheridan Smith: Becoming Mum, ITV review - will motherhood be the gateway to a new life?Wednesday, 02 September 2020
Apart from her acting abilities, the qualities which made Sheridan Smith a star were her authenticity and lack of pretension. Both shone brightly from ITV's affecting documentary, in which Smith assessed how her success affected her mental health... Read more... |
Spree review - a wild ride through social media madnessFriday, 14 August 2020
Allergic to that word “influencer”? Afraid that social media is the death of civilisation as we’ve known it? Then this movie may be for you.Despite its overt absurdity and compulsive over-the-topness, director Eugene Wobble Palace Kotlyarenko has... Read more... |
Matt Haig: The Midnight Library review - an uplifting modern parableTuesday, 11 August 2020
TW: This article discusses suicide, suicidal ideation, antidepressants and self-harm We first meet Nora Seed, “nineteen years before she decides to die”, as she plays chess in the school library with Mrs Elm, the matter-of-fact school librarian... Read more... |
Prodigal Son, Sky 1 review - meet Michael Sheen, psycho killerWednesday, 29 July 2020
We knew that Michael Sheen was a skilful and versatile actor, but lately he’s been getting dangerously good. Last year he roared into the third season of The Good Fight as the outrageous drug-fuelled lawyer Roland Blum, like an explosive fusion of... Read more... |
Finding The Way Back review - alcoholism on the reboundFriday, 10 July 2020
Gavin O’Connor has made a career out of sturdy films that make grown men cry. His best was Warrior - a hulking, tear-jerking tale of male fragility and addiction. His latest Finding The Way Back is a potent, raw drama that... Read more... |
Alan Bennett's Talking Heads, BBC One review - still lives run deepWednesday, 24 June 2020
The eyes have it in Alan Bennett's Talking Heads, which is in no way to discount this venerable writer's gift for words. Time and again in this vaunted series of dramatic solos, ten of which have now been remade alongside two new ones, a character... Read more... |
The King of Staten Island review - Apatow's best work in a decadeWednesday, 10 June 2020
The master of crowd-pleasing comedy, Judd Apatow, returns with another on-brand tale of arrested development with The King of Staten Island. While it's near his signature anarchic charm, this comedy-drama shows that even a veteran director/... Read more... |
I Know This Much Is True, Sky Atlantic review - riding a carousel of catastropheTuesday, 12 May 2020
Adapted by writer-director Derek Cianfrance from Wally Lamb’s 1998 novel, this HBO production (on Sky Atlantic) presents a huge canvas for Mark Ruffalo, who plays the twin brothers Dominick and Thomas Birdsey. He had a particular interest in I Know... Read more... |
The A Word, Series 3, BBC One review - Christopher Eccleston steals the showWednesday, 06 May 2020
Christopher Eccleston isn’t the easiest actor to love, because he gives the impression he’ll reach through the screen and grab you by the throat if you don’t appreciate his ferocious thespian intensity, but with the role of Maurice Scott in The A... Read more... |
