sat 14/12/2024

drawing

Stevie Smith: Not Waving But Drowning review - riding the wave

Last year, Wendy Cope’s poem, "The Orange", went viral on TikTok. I’m not totally certain how a poem goes viral, but it did – and there’s nothing we can do about it.In fact, Faber & Faber actively did something about it and released a selection...

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The Truth About Harry Beck, London Transport Museum Cubic Theatre review - mapping the life of the London Underground map's creator

Iconic is a word the meaning of which is moving from the religious world into popular culture – win a reality TV show dressed as a teapot, and you can be sure that your 15 minutes of fame will be labelled iconic across social media. Not quite...

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Best of 2022: Books

From Kafka’s spry sketches to Derek Owusu’s novel-poem, and Jaan Kross’s Estonian Wolf Hall to Katherine Rundell’s spirited biography of John Donne, our reviewers take the time to share their favourite books of 2022. Before his death, Franz...

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Donna Fleming: Apocalypse, The Pie Factory, Margate review - personal passions and intense feelings

Donna Fleming’s exhibition at the Pie Factory Gallery in Margate is called Apocalypse, which is confusing because it has nothing to do with the end of the world. Fleming does not even watch the news because she “does not want to think about...

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Vincent van Gogh: the reader and the writer

A life in art, a life in looking; a life in writing, a life in reading; a life fuelled by passionate emotions, personal attachments and religious turmoil. There are a few artists whose lives are so intertwined with their work that their biography as...

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A. Kendra Greene: The Museum of Whales You Will Never See review - a thoughtful museum piece

The Museum of Whales is an unfolding: a slow process of describing a country, its people, and its past through its esoteric and bizarre museums. The book is structured into galleries and cabinets, like the museums it describes, and the text is...

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Visual Arts Lockdown Special 2: read, search, listen, create

Arguably one of the most poignant effects of the lockdown has been to simultaneously draw attention to the connections between the arts and the distinct ways they have evolved into their own forms. Sculpture, painting, textiles, performance art,...

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Bill Brandt/Henry Moore, The Hepworth Wakefield review - a matter of perception

Bill Brandt’s photographs and Henry Moore’s studies of people sheltering underground during the Blitz (September 1940 to May 1941) offer glimpses of a world that is, thankfully, lost to us. A year and a half after the end of the bombing...

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Anna Maria Maiolino: Making Love Revolutionary, Whitechapel Gallery review – a gentle rebellion

Now in her mid-seventies, Anna Maria Maiolino has been making work for six decades. Its a long stretch to cover in an exhibition, especially when the artist is not well known. Perhaps inevitably, then, this Whitechapel Gallery retrospective seems...

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Leonardo da Vinci: A Life in Drawing, The Queen's Gallery review - peerless drawings, rarely seen

It is a commonplace to describe Leonardo as an enigma whose genius, and perhaps even something of his character, is revealed through his works. But as his works survive only in incomplete and fragmented form, it is drawing, the practice common to...

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Who’s Afraid of Drawing? Works on Paper from the Ramo Collection, Estorick Collection review - surprising and rewarding

Paper is traditionally the medium though which artists think. Stray thoughts and experiments can be quickly tried out, pushed further or jettisoned. There are no penalties for starting something which goes wrong or transforms into something else...

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Franz West, Tate Modern review - absurdly exhilarating

Franz West must have been a right pain in the arse. He left school at 16, went travelling, got hooked on hard drugs which he later replaced with heavy drinking, got into endless arguments and fights, was obsessed with sex and, above all, wanted to...

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