drawing
Ed Atkins, Tate Britain review - hiding behind computer generated doppelgängersFriday, 04 April 2025
The best way to experience Ed Atkins’ exhibition at Tate Britain is to start at the end by watching Nurses Come and Go, But None For Me, a film he has just completed. It lasts nearly two hours but is worth the investment since it reveals what the... Read more... |
Best of 2024: Visual ArtsMonday, 30 December 2024
I thought I might never be able to say it’s been a great year for women artists, so forgive me for focusing solely on them.Things were kickstarted with a retrospective of Barbara Kruger (Serpentine Gallery) who uses words and images to illuminate... Read more... |
Stevie Smith: Not Waving But Drowning review - riding the waveWednesday, 02 October 2024
Last year, Wendy Cope’s poem, "The Orange", went viral on TikTok. I’m not totally certain how a poem goes viral, but it did – and there’s nothing we can do about it.In fact, Faber & Faber actively did something about it and released a selection... Read more... |
The Truth About Harry Beck, London Transport Museum Cubic Theatre review - mapping the life of the London Underground map's creatorFriday, 20 September 2024
Iconic is a word the meaning of which is moving from the religious world into popular culture – win a reality TV show dressed as a teapot, and you can be sure that your 15 minutes of fame will be labelled iconic across social media. Not quite... Read more... |
Best of 2022: BooksSaturday, 31 December 2022
From Kafka’s spry sketches to Derek Owusu’s novel-poem, and Jaan Kross’s Estonian Wolf Hall to Katherine Rundell’s spirited biography of John Donne, our reviewers take the time to share their favourite books of 2022. Before his death, Franz... Read more... |
Donna Fleming: Apocalypse, The Pie Factory, Margate review - personal passions and intense feelingsMonday, 14 November 2022
Donna Fleming’s exhibition at the Pie Factory Gallery in Margate is called Apocalypse, which is confusing because it has nothing to do with the end of the world. Fleming does not even watch the news because she “does not want to think about... Read more... |
Vincent van Gogh: the reader and the writerSunday, 26 July 2020
A life in art, a life in looking; a life in writing, a life in reading; a life fuelled by passionate emotions, personal attachments and religious turmoil. There are a few artists whose lives are so intertwined with their work that their biography as... Read more... |
A. Kendra Greene: The Museum of Whales You Will Never See review - a thoughtful museum pieceSaturday, 27 June 2020
The Museum of Whales is an unfolding: a slow process of describing a country, its people, and its past through its esoteric and bizarre museums. The book is structured into galleries and cabinets, like the museums it describes, and the text is... Read more... |
Visual Arts Lockdown Special 2: read, search, listen, createTuesday, 05 May 2020
Arguably one of the most poignant effects of the lockdown has been to simultaneously draw attention to the connections between the arts and the distinct ways they have evolved into their own forms. Sculpture, painting, textiles, performance art,... Read more... |
Bill Brandt/Henry Moore, The Hepworth Wakefield review - a matter of perceptionTuesday, 03 March 2020
Bill Brandt’s photographs and Henry Moore’s studies of people sheltering underground during the Blitz (September 1940 to May 1941) offer glimpses of a world that is, thankfully, lost to us. A year and a half after the end of the bombing... Read more... |
Anna Maria Maiolino: Making Love Revolutionary, Whitechapel Gallery review – a gentle rebellionThursday, 10 October 2019
Now in her mid-seventies, Anna Maria Maiolino has been making work for six decades. Its a long stretch to cover in an exhibition, especially when the artist is not well known. Perhaps inevitably, then, this Whitechapel Gallery retrospective seems... Read more... |
Leonardo da Vinci: A Life in Drawing, The Queen's Gallery review - peerless drawings, rarely seenWednesday, 29 May 2019
It is a commonplace to describe Leonardo as an enigma whose genius, and perhaps even something of his character, is revealed through his works. But as his works survive only in incomplete and fragmented form, it is drawing, the practice common to... Read more... |
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