thu 02/05/2024

Brighton

Kano, Brighton Dome review - simply joyous

Kano’s lyrics often sound like a wake, mixing mournfulness and anger as they raise a toast to fallen friends on abandoned estates, casualties of crushing pressures alien to the authorities who pronounce on them in the tabloids and parliament....

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Romesh Ranganathan, Brighton Dome review - transgressive, edgy and very likeable

One question springs immediately to mind on hearing that Romesh Ranganathan’s new stand-up show, The Cynic’s Mixtape, is touring: how does he find the time? Ranganathan has overtaken Jack Whitehall as Britain’s most media ubiquitous comic, with a...

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Peter Perrett, Concorde 2, Brighton review - it’s a family affair for the former Only One

It’s been a couple of years since Peter Perrett, the former frontman and creative force behind the much loved but commercially under-performing Only Ones decided that he’d had enough of being a mere legend and got back into the musical ring. He had...

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Berlin: True Copy, Brighton Festival 2019 review - tricksy forgery masterclass

This brilliantly conceived and executed show is about provenance in art. It’s also about our perceptions of the truth. However, it’s a show where it would be churlish to reveal too much of what goes on. This is, of course, perverse since some will...

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Tribe//Still I Rise, Brighton Festival 2019 review - an evening of poetic movement

Maya Angelou’s iconic poem Still I Rise is a good starting point for many things in life. But it’s a particularly good beginning for a piece of contemporary dance choreography, and Victoria Fox has done a great job of bringing the poet’s words to...

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Superhoe, Brighton Festival 2019 review - a darkly vital one-woman show

Tonight comes with a caveat, delivered before proceedings begin by the one-woman show’s writer and performer Nicôle Lecky, who’s sitting in a chair centre-stage. She damaged her foot during Sunday’s matinee at the Brighton Festival, dancing about,...

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Primal Scream, The Haunt, Brighton review - up-close, short, raucous and sweaty

Primal Scream have played in this city, in the recent past, at the 4,500 capacity Brighton Centre but tonight they’re in a venue which holds well under 400. A bananas atmosphere reigns when bands of their stature play intimate shows, and so it is...

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Rokia Traoré: Dream Mandé: Bamanan Djourou, Brighton Festival 2019 review – traditions soar free

Much of Rokia Traoré’s set on Saturday night comprised folk songs about Mali’s warrior kings, connecting with her country’s fabulously wealthy, proudly powerful past. They suit this diplomat’s daughter’s regal stature, which she has put at the...

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Chamber Music, Brighton Festival 2019 review - Wu-Tang Clan depths divined

Martial arts mayhem, Shaolin philosophy, a tribe of masked hip hop warriors emerging from the mist of Staten Island, a Funkadelic-Parliament collective sprawling through the music industry in the age of black mass incarceration: the Wu-Tang Clan...

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Ruby Wax, Brighton Festival 2019 review - how to be human

Once the self proclaimed poster girl for mental illness, Ruby Wax has evolved her stand up act, because, as she puts it, “everyone has mental illness now. It spread like wildfire.”It’s a tongue in cheek reference to the current supposed "fashion"...

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Tucked review - dispiriting British drag queen drama

It would be great to herald this low-budget drama about an elderly drag queen and his friendship with a young gay singer-songwriter as a little gem of British indie cinema. But Tucked, which aims to be an odd-couple tale of heart-warming...

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Andy Hamilton, Brighton Festival 2019 review - gently amusing night of reminiscence

Taking place at the Theatre Royal, Andy Hamilton’s show is entitled An Evening with… rather than a straight stand-up and mainly consists of the comedy writer/performer and gameshow regular answering audience questions. During the first half this is...

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