Berlin
Jessica Duchen
A word about grief. Many of us have learned a lot about it this past year; many knew about it before that. When someone we love dies, we grieve. This is normal. This is human. It is agony, but it’s not actually a mental illness. Having Paul, the hero (or anti-hero) of Erich Wolfgang Korngold’s Die tote Stadt be marched off stage by those in white coats at the end is therefore not only a directorial cop-out. It also prevents this overwhelmingly emotional opera from doing what it does best: providing catharsis. Premiered in 1920 in a world shattered by the First World War and the Read more ...
Demetrios Matheou
The Romanian director Radu Jude invariably serves spicy satire that challenges his compatriots to face historical crimes and present failings. The latest is an erudite and daft, raunchy and knockabout, endlessly provocative film that, for sake of brevity, we’ll call Loony Porn.The film has not only been made during the pandemic but fulsomely features the life of a city outdoors – namely Bucharest – as its citizens routinely engaged in social distancing, face covering and the rest. Accompanied by a plot that touches on parenting, the worse aspects of social media and cancel culture, the result Read more ...
Graham Rickson
Berliner Philharmoniker/Kirill Petrenko: Music by Beethoven, Tchaikovsky, Franz Schmidt, Rudi Stephan (Berliner Philharmoniker Recordings)Kirill Petrenko’s supposed indifference to making recordings is overstated: there’s a whole load of stuff to watch on the Berliner Philharmoniker’s Digital Concert Hall, and own-label CD releases have included John Adams’ The Wound Dresser and Tchaikovsky’s 6th Symphony. That same, excellent, Tchaikovsky performance is the one included here, made in March 2017, this five-disc box set also including a Tchaikovsky 5 taped two years later. This takes a Read more ...
Markie Robson-Scott
“Make contact with the left eye - it is a direct pathway to the emotions. Then make yourself scarce so that the desire in her can grow.” This fine flirting advice comes from a Stasi officer to his students, preparing them for a honey-trap mission to seduce West Berlin intelligence officers.The Same Sky, set in 1974 (on Netflix for three years before C4 and Walter Presents took it up) is an unusual – and very well acted – six-part UK-German co-production, directed by Oliver Hirschbiegel (Downfall) and created by Paula Milne, whose English script was translated into German by the director. And Read more ...
Graham Rickson
Bruckner: Symphony No. 7 Berliner Philharmoniker/Bernard Haitink (Berliner Philharmoniker Recordings)Bruckner symphonies rarely include fast tempi and never feature Stravinskian changes of metre, but they do need conductors with enough stamina and charisma to keep players and audiences interested for 70 to 80 minutes. Most of my favourite Bruckner recordings are from veterans: Skrowaczewski and Blomstedt rarely put a foot wrong, and Karajan’s last, Vienna Philharmonic version of No. 8 is one of the best things he ever did. Bernard Haitink, unusually, has always been a great Bruckner Read more ...
Joe Muggs
A new and very strange kind of pop music has bubbled up over the past half-decade plus. It’s internationalist, rooted in both underground electronics and the most populist styles, bound up with playful but sometimes terrifying ultra high definition psychedelic aesthetics, and dominated by female and non-binary musicians. It’s given a platform to some of the most vivid and fascinating characters in music today, from Beijing’s 33EMYBW to Margate’s BABii, Washington DC’s Swan Meat to Montevideo’s Lila Tirando a Violeta, and most prominently Glaswegian SOPHIE and Caracas-via-Barcelona Arca. Read more ...
Gavin Dixon
Barrie Kosky’s production of Moses und Aron was staged at the Komische Oper Berlin in 2015 to mark the 70th anniversary of the liberation of Auschwitz. Schoenberg’s opera is philosophical and open to a variety of interpretations. Kosky emphasises the story’s Jewish heritage, and the production is all about Jews and Judaism. That might seem a natural choice, given the occasion, but Kosky’s message is subtle, fully acknowledging the Holocaust, but presenting the Jewish people as complex and contradictory, and not just as victims.The production is dominated by the huge chorus, who are onstage Read more ...
Saskia Baron
In the year when we should be reflecting on seventy years of peace in Europe but are too occupied with present day viruses, Brexit, and racism to remember our past, it’s timely that a film about the Allied victors occupying Berlin in 1947 should be given a rerelease. A Foreign Affair missed out on the Oscar for Best Black-and-White Cinematography to The Naked City, but Charles Lang’s aerial shots of a great city turned into a cross-hatched landscape of ruins provide a masterful opening to this neglected Billy Wilder black comedy. Looking down from the plane circling the Read more ...
Owen Richards
Thank goodness no-one’s going anywhere this year, because 7500 does for planes what Jaws did for bright yellow lilos. Set entirely within the cockpit of a passenger jet, this thriller trims all the fat, leaving a taut nightmare that pulls no punches.Joseph Gordon-Levitt stars as Tobias Ellis, a mild-mannered pilot on a routine flight from Berlin to Paris. His biggest worry is his child not getting into a preferred kindergarten, something that far more bothers his partner (who also happens to be part of the flight crew). Both character and actor aren’t your typical action protagonist, but Read more ...
Nick Hasted
The Thousand Eyes of Dr Mabuse (1960) was Fritz Lang’s final film, resurrecting his Weimar villain in Cold War Berlin and forming a satisfying circle with his career’s German first half, which included Metropolis and M. This ended when Goebbels banned The Testament of Dr Mabuse (1933), leading to equally brilliant Hollywood exile, and the hard shadows of fierce classics from Fury to The Big Heat.Lang’s M star, Peter Lorre, ended his exile earlier with his sole film as director, The Lost One (1951), a searing parable of Nazi corruption, madness and murder which was too much for his homeland. Read more ...
alexandra.coghlan
Liberated from Pushkin’s salons, ballrooms and bedrooms, Barrie Kosky’s Eugene Onegin bursts out into nature. Tatyana and Olga lounge in the long grass stealing heavy fingerfuls of jam straight from the jar; party-guests run through the trees with flaming torches, dancing wildly, barefoot; after the harvest groups gather on the lawn with picnics and games. This is a world apart, the hot, hazy, endless summer of first love – an intense, but unreliable memory.First seen at Berlin’s Komische Oper in 2016, and later at the Edinburgh Festival, this turn-of-the-century Onegin with its echoes of DH Read more ...
David Nice
There are bad times just around the corner for the characters of Babylon Berlin, though 1929 is grim enough. Focusing on the moment to take away the easy option of hindsight for the viewer and making its vast line-up, played by actors of supreme skill and nuance, deeply sympathetic or obnoxious according to the role, this extravaganza is much more about the gritty reality than the glamour of all those dances on the volcano. Not that there aren't glittering, decadent club sequences, but the harsh facts behind them never escape the directors' eyes."Directors", because there are three of them, Read more ...