BBCSO
Prom 27: Wang, Hampson, BBC Symphony Orchestra, Mäkelä review - glittering night with music’s golden coupleSaturday, 05 August 2023
Yuja Wang and Klaus Mäkelä, two of the classical world’s biggest hitters, have recently united to make that even more powerful item, the “power couple”. But much as they are both photogenic and charismatic, their reputations are also based on... Read more... |
Prom 14: Lisiecki, BBCSO, Chan - fine textures and subtle delightsWednesday, 26 July 2023
One of the undoubted highlights of Prom 14 was unprogrammed – following his commanding performance of Beethoven’s third piano concerto, Jan Lisiecki returned to the stage to give an encore of Chopin’s Nocturne in E Flat, Opus 9 No 2.There was a rapt... Read more... |
Yang, BBCSO, Oramo, Barbican review - roots and refinementMonday, 17 April 2023
In today’s Britain, too many concert reviews have to begin with the vandalistic threats of damage or extinction that hang over their performers. Last week, it emerged that the BBC’s bosses may be open to negotiate an alternative future for its... Read more... |
Watts, BBCSO, Wigglesworth, Barbican review - clarity, control and focusSaturday, 21 January 2023
Ryan Wigglesworth is a man of many talents. He has recently been appointed Chief Conductor of the BBC Scottish Symphony, but he is also a versatile opera conductor, and an operatic sensibility is clear in the musical personality he projects.Last... Read more... |
Classical CDs: Bells, birthdays and elephantsSaturday, 05 November 2022
Hélène de Montgeroult: Études Clare Hammond (piano) (BIS)“How can music of this quality and vision be forgotten so comprehensively for so long?”, asks pianist Clare Hammond. It is the right question. The piano music of Hélène de Montgeroult (... Read more... |
Total Immersion: Sibelius the Storyteller, Barbican review - a feast of sagas and psychic masterpiecesTuesday, 11 October 2022
If there’s a dud or a dullard among Sibelius’s 116 official opus numbers, I haven’t heard it. Yet catching even many of the outright masterpieces live in concert isn’t easy; the brevity that can show us a world in under 10 minutes makes some... Read more... |
BBC Proms 2022 - silence after MassMonday, 12 September 2022
So John Eliot Gardiner’s fire- and-air way with Beethoven’s Missa Solemnis turned out to be the last night of the Proms. Just as I was about to cycle to the Royal Albert Hall for the first of the Philadelphia Orchestra’s two Proms the following... Read more... |
Prom 39, Hartwig, BBCSO, Oramo review - bright and breezy followed by a curate's eggTuesday, 16 August 2022
Two quirky concertos – one for orchestra, though it might also be called a sinfonietta – and a big symphony: best of British but, more important, international and world class. Sakari Oramo and the BBC Symphony Orchestra sounded glorious throughout... Read more... |
Prom 8, Kozhukhin, BBCSO, Stasevska review - Russian classics meet contemporary IcelandThursday, 21 July 2022
Russia meets Iceland: not the most obvious of juxtapositions. But the connection between the four composers featured in Prom 8 is to be found in their filmic approaches: the two contemporary Icelanders are both better known as media composers than... Read more... |
Prom 1, Verdi's Requiem, BBCSO, Oramo review - introspective sorrow and consolation between the blazesSaturday, 16 July 2022
Any sensitive festival planner knows to begin the return to a new normal with something soft and elegiac – reflecting on all we’ve lost and mourned these past two years, as well as what we’re facing in the world now. Just over a fortnight ago, at... Read more... |
Album: Paul Weller - An Orchestrated SongbookThursday, 02 December 2021
It’s a far cry from his beginnings in a tight, no-frills power-pop-post-punk three piece, that’s for sure. Last May, Paul Weller took to the stage with guitarist Steve Craddock, a smattering of guest vocalists and the BBC Symphony Orchestra to... Read more... |
First Night of the Proms, Hyde, BBCSO, Stasevska review - levitational ecstasiesSaturday, 31 July 2021
Did absence from Albert’s colosseum from early September 2019 until now and a roof-raising finale hoodwink many of us into thinking Dalia Stasevska’s interpretation of Sibelius’s Second Symphony among the greats? Having listened to it again on the... Read more... |
